Jason Kao Hwang's "Hwang: Burning Bridge" is a captivating journey into the realms of free jazz and avant-garde music, released on November 6, 2012, via Innova Records. This album is a testament to Hwang's innovative spirit and his ability to push the boundaries of traditional jazz. Comprising five expansive tracks, each divided into two parts, "Burning Bridge" offers a rich and immersive experience that challenges and engages the listener from start to finish.
The album features Hwang's signature violin work, accompanied by a stellar ensemble including Wang Guowei on piano, Ken Filiano on bass, Taylor Ho Bynum on cornet, and Joe Daley on tuba. Together, they create a sound that is both experimental and deeply rooted in contemporary jazz traditions.
"Burning Bridge" was composed with the intention of consuming temporal illusions and exploring the confluence of life and death. Hwang's compositions are known for their ability to set aesthetic sensibilities and cultural assumptions ablaze, and this album is no exception. Each track is a masterclass in improvisation and composition, showcasing the unique talents of each musician and their collective ability to create something truly special.
The album's duration of 1 hour and 18 minutes allows for a deep dive into Hwang's musical vision, making it a perfect choice for those seeking a rich and rewarding listening experience. Whether you're a longtime fan of Jason Kao Hwang or new to his work, "Hwang: Burning Bridge" is sure to leave a lasting impression.
Jason Kao Hwang is a pioneering Chinese American violinist and composer who has carved out a unique niche in the world of experimental music. Born in 1957, Hwang is renowned for his unconventional and improvisational jazz violin technique, which he employs to create intricate and emotionally resonant compositions. His work often draws from a rich tapestry of influences, including jazz, classical, and traditional Chinese music, resulting in a sound that is distinctly his own.
Hwang's compositions are narrative landscapes, inviting the audience on transformational journeys through sound. His chamber opera, "The Floating Box: A Story in Chinatown," premiered in 2001 and was released in 2005, showcasing his ability to blend storytelling with innovative musical structures. He has been recognized multiple times by the El Intruso Critics and the Downbeat Critics’ Poll, cementing his status as a leading figure in avant-garde and free jazz.
As an educator and artist-in-residence at various institutions, Hwang has also dedicated himself to teaching and lecturing, sharing his unique perspective on music and culture. His ensembles, such as his trio with electric guitarist Anders Nilsson and drummer Michael T.A. Thompson, are known for their adventurous fusion sessions, where musical influences never sit still. Whether performing with a mixed ensemble of jazz, classical, and Chinese instruments or exploring the depths of improvisational soliloquies, Jason Kao Hwang continues to push the boundaries of what music can be.
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