Hot Lotta

Album Description

Dive into the raw and unfiltered world of free jazz with Peter Brötzmann's "Hot Lotta," a fiery collaboration with Juhani Aaltonen, Peter Kowald, and Edward Vesala. Released in 1975 under WM Finland, this avant-garde masterpiece is a testament to the boundary-pushing spirit of the era. The album's four tracks, including the titular "Hot Lotta" and "For Deep Deep Finnish Forest Cymbal Govenor," clock in at a tight 46 minutes, delivering an intense and immersive experience from start to finish.

Brötzmann, known for his powerful and expressive saxophone work, is joined by Aaltonen on piano and vibraphone, Kowald on bass, and Vesala on percussion. Together, they create a sound that is both chaotic and cohesive, a dance on the edge of control and abandon. The music is a thrilling exploration of sound and rhythm, where each instrument seems to push the others to new heights.

"Hot Lotta" is not just an album; it's a snapshot of a moment in time, a rare chapter in Brötzmann's career that captures the spirit of the Finnish jazz scene of the early 1970s. The cover art, designed by Eki & Co, Erik Uddström, adds another layer of intrigue, hinting at the experimental nature of the music within.

Whether you're a seasoned jazz aficionado or a curious newcomer, "Hot Lotta" offers a challenging and rewarding listen. It's a bold statement from one of the most innovative musicians of the 20th century, and a reminder of the power of collective creativity. So, turn up the volume and let the music take you somewhere new.

1 januari 1975

℗ 1975 PSO

About Peter Brötzmann

Peter Brötzmann, a titan of European free jazz, was a saxophonist and clarinetist whose powerful and uncompromising playing style left an indelible mark on the genre. Born in Remscheid, Germany, Brötzmann's journey into jazz began at the age of 13, inspired by a transformative concert by Sidney Bechet. Throughout his career, he released over fifty albums as a bandleader, collaborating with legendary figures such as Derek Bailey, Anthony Braxton, and Cecil Taylor, as well as experimental musicians like Keiji Haino and Charles Hayward. His 1968 album "Machine Gun" is hailed as a landmark of 20th-century free jazz, showcasing his radical and energetic approach to music. Brötzmann's playing was known for its intensity and raw emotional power, yet he could also deliver subtle and tender sounds, demonstrating his versatility and depth as an artist. His music was a reflection of his compassionate nature and deep connection to the natural world, breaking down barriers and exploring the beauty of life. Brötzmann's influence on free jazz is immeasurable, and his legacy continues to inspire musicians and enthusiasts alike.