Historical Guitar Works 1913-1942

Immerse yourself in the enchanting world of classical guitar with "Historical Guitar Works 1913-1942" by Agustín Barrios Mangoré. This captivating album, released in 2010 by Master Classics Records, showcases the extraordinary talent of one of the most celebrated classical guitarists and composers of all time. Spanning nearly two hours, this collection features a diverse range of compositions that highlight Barrios Mangoré's virtuosity and deep musicality.

Born in Paraguay, Agustín Barrios Mangoré is renowned for his innovative techniques and unique compositions that blend traditional South American folk music with classical guitar traditions. This album offers a comprehensive journey through his most iconic works, including the beloved "La Catedral," "Habanera," and "Souvenir d'un Rêve." Each piece is a testament to Barrios Mangoré's mastery of the guitar, showcasing his ability to evoke a wide range of emotions and atmospheres.

From the lively rhythms of "Cueca" and "Pericon" to the delicate beauty of "Minuet" and "Traumerei," this album presents a rich tapestry of musical styles and influences. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, "Historical Guitar Works 1913-1942" promises an unforgettable listening experience. Dive into the timeless elegance of Barrios Mangoré's guitar playing and discover the enduring legacy of this remarkable artist.

Agustín Barrios Mangoré, born Agustín Pío Barrios, was a Paraguayan virtuoso classical guitarist and composer, celebrated as one of the greatest performers and most prolific composers for the guitar. Born in 1885 in San Juan Bautista de las Misiones, Paraguay, Barrios' musical journey began at a young age, and by 18, he was already touring and recording, a pioneer in making recordings as early as 1910. His extensive repertoire includes over 300 compositions, showcasing his folk, imitative, and religious styles, with iconic pieces like "La Catedral" and "Una Limosna por el Amor de Dios."

Barrios' performances throughout Latin America and Europe in the 1930s solidified his reputation as a guitar virtuoso. He created the alter ego Chief Nitsuga Mangoré, a nod to his indigenous heritage, and his stunning virtuosity and musicality captivated audiences. Despite his prominence during his time, Barrios' compositions and recordings remained largely unknown internationally for decades after his death in 1944. It was not until the 1970s that his work gained wider recognition, thanks to advocates like John Williams and Laurindo Almeida, who helped bring Barrios' genius to a global audience. His legacy continues to inspire guitarists and music enthusiasts worldwide, with his compositions remaining a staple in the classical guitar repertoire.