His Majesty's Harper

Album Description

Immerse yourself in the enchanting world of Renaissance and early Baroque music with Andrew Lawrence-King's "His Majesty's Harper," a captivating collection of airs, dances, fancies, and farewells from the royal courts of 17th-century England. Released in 1999 on the prestigious Deutsche Harmonia Mundi label, this album is a testament to Lawrence-King's virtuosity and his deep understanding of historical performance practices.

Spanning a generous 64 minutes, the album features 29 tracks that showcase a rich tapestry of compositions by some of the most renowned composers of the era, including Dowland, Byrd, and le Flesle. Lawrence-King's mastery of historical harps, such as the Italian arpa doppia and the Irish cláirseach, brings an authenticity and depth to the performances that is truly mesmerizing.

The album opens with "A Fancy," setting the stage for a journey through the elegant pavanes, lively galliards, and intricate fantasias that define the courtly music of the time. Standout tracks like "Pavana Lachrimae" and "Farewell, My Dear Adieu, My Sweet Love Farewell" highlight Lawrence-King's ability to convey both the grace and the poignancy of the music.

"His Majesty's Harper" is not just a collection of beautiful melodies; it is a window into the cultural and musical landscape of a bygone era. Lawrence-King's meticulous attention to detail and his commitment to historical accuracy make this album a treasure for both classical music enthusiasts and those interested in the rich tapestry of Renaissance and early Baroque music. Whether you are a seasoned connoisseur or a curious newcomer, this album offers a rich and rewarding listening experience.

February 1, 1999

(P) 1999 BMG Entertainment

About Andrew Lawrence-King

Andrew Lawrence-King, born in Guernsey, is a renowned harpist and conductor celebrated for his pioneering work in early music. With a career spanning decades, Lawrence-King is known for his innovative approach to historically informed performance, blending state-of-the-art early music techniques with captivating improvisation and engaging stage presence. As the director of The Harp Consort, he leads a group that seamlessly merges musical excellence with theatrical flair. Beyond his work with The Harp Consort, Lawrence-King also heads Il Corago, a team dedicated to the historical staging of early opera, and the International Baroque Opera Studio at Opera Omnia Moscow. His influence extends globally, having directed operas, oratorios, and chamber music at prestigious venues such as La Scala in Milan, the Sydney Opera House, and Casals Hall in Tokyo. Lawrence-King's discography is extensive, making him one of the most recorded harpists of all time. His performances are not just concerts but immersive experiences that transport audiences through time, offering a unique blend of historical authenticity and modern creativity.