Nate Wooley's "Henry House" is a captivating exploration of sound and poetry, set to release on January 10, 2025, under the Ideologic Organ label. This ambitious project is an eighty-minute, five-part song cycle that marks a departure from the spontaneity typically found in Wooley's free jazz and noise aesthetic. Instead, "Henry House" is a meticulously crafted work, composed of five pieces, each based on poetry that Wooley has spliced together from four core texts.
The album's title track, "Henry House," is divided into two parts, "Stump The World - 1" and "Stump The World - 2," creating a sense of continuity and progression throughout the piece. The other tracks, "Acacia, Burnt Myrrh," "Clipped Prose of Juncos," and "Aleatory Half Sentences," each offer a unique sonic landscape, showcasing Wooley's versatility and depth as an artist.
"Henry House" is not just an album; it's an experience. The album's duration and the intricate layering of sound and poetry create an immersive atmosphere that draws the listener in and holds their attention. Wooley's use of drone and avant-garde elements adds a sense of tension and release, making the listening experience both challenging and rewarding.
For fans of Nate Wooley's previous work, "Henry House" offers a fresh perspective and a new direction. For those new to Wooley's music, this album serves as an excellent introduction to his unique sound and innovative approach to composition. Whether you're a seasoned listener or a newcomer, "Henry House" is an album that demands your attention and rewards your patience. Don't miss out on this groundbreaking work from one of the most exciting artists in the world of free jazz and avant-garde music.
Nate Wooley is an American trumpeter, composer, and improviser renowned for his innovative and experimental approach to music. Born in the small timber town of Clatskanie, Oregon, Wooley began his professional career at the age of 13, playing in big bands with his father, a saxophonist. His upbringing in the Pacific Northwest instilled in him a unique sense of musical timing and space, which he carries into his work today.
Wooley's music is a vibrant blend of free jazz and avant-garde styles, characterized by his use of extended techniques, vocalizations, noise, and drones. He has collaborated with some of the most iconic figures in experimental music, including Anthony Braxton, John Zorn, and Evan Parker. His solo recordings have been described as "exquisitely hostile," reflecting his fearless exploration of the trumpet's sonic possibilities.
In addition to his performing career, Wooley is the founder and editor of Sound American magazine, a publication dedicated to the art of sound and experimental music. He has also ventured into composition, creating works that push the boundaries of traditional notation and performance. His recent album, "Four Experiments," is a testament to his ongoing exploration of new musical territories, featuring a variety of collaborators and experimental techniques. Wooley's work is not just about creating music; it's about challenging conventions and inviting audiences to experience sound in new and unexpected ways.
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