heinrich ignaz franz biber: the rosary sonatas - heinrich ignaz franz von biber
Heinrich Ignaz Franz Biber: The Rosary Sonatas
Heinrich Ignaz Franz von Biber
2016
70 tracks
1 uur, 35 min
Album Description
Immerse yourself in the profound and intricate world of Heinrich Ignaz Franz von Biber's "The Rosary Sonatas," a masterful collection of 15 sonatas for violin and continuo, complemented by a final passacaglia for solo violin. This album, released on September 2, 2016, under the Aeolus label, offers a captivating journey through the Baroque era, showcasing Biber's virtuosity and innovation.
Each sonata is uniquely paired with a copper-engraved vignette, illustrating scenes from the Christian Rosary practice and the Feast of the Guardian Angels. These visual accompaniments add a layer of depth to the musical experience, making this album a feast for both the ears and the eyes. The sonatas are meticulously crafted, featuring a variety of tunings and styles that highlight Biber's experimental approach to the violin, making this collection one of the most challenging and rewarding in the Baroque repertoire.
The album spans a duration of 1 hour and 35 minutes, providing a comprehensive exploration of Biber's compositional genius. From the somber tones of the "Rosary Sonata No. 1 in D Minor ‘The Annunciation’" to the triumphant notes of the "Rosary Sonata No. 11 in G Major ‘The Resurrection’," each piece tells a story, evoking a range of emotions and reflections.
Heinrich Ignaz Franz von Biber, a virtuoso violinist and composer, was highly respected during his lifetime. His service as Kappelmeister at the Salzburg Cathedral under Prince-Archbishop Maximilian Gandolf earned him a title of minor nobility. This album is a testament to his enduring legacy, offering a glimpse into the musical brilliance of the 17th century.
Whether you are a seasoned classical music enthusiast or a curious newcomer, "The Rosary Sonatas" promises an enriching and engaging experience. The intricate compositions, paired with the historical and cultural context, make this album a standout in the world of Baroque music.
2016 Aeolus2016 Aeolus
Tracks
Rosary Sonata No. 1 in D Minor „The Annunciation“, C 90: I. PraeludiumHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 1 in D Minor „The Annunciation“, C 90: II. Variatio Aria allegroHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 1 in D Minor „The Annunciation“, C 90: III. AdagioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 1 in D Minor „The Annunciation“, C 90: IV. [Variatio]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 1 in D Minor „The Annunciation“, C 90: V. FinaleHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 2 in A Major „The Visitation“, C 91: I. SonataHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 2 in A Major „The Visitation“, C 91: II. PrestoHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 2 in A Major „The Visitation“, C 91: III. AllemandeHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 2 in A Major „The Visitation“, C 91: IV. PrestoHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 3 in B Minor „The Nativity“, C 92: I. SonataHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 3 in B Minor „The Nativity“, C 92: II. CourenteHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 3 in B Minor „The Nativity“, C 92: III. DoubleHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 3 in B Minor „The Nativity“, C 92: IV. AdagioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 4 in D Minor „The Presentation of Jesus in the Temple“, C 93: I. CiaconaHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 5 in A Major „The Finding of Jesus in the Temple“, C 94: I. PraeludiumHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 5 in A Major „The Finding of Jesus in the Temple“, C 94: II. AllamandeHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 5 in A Major „The Finding of Jesus in the Temple“, C 94: III. GuigueHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 5 in A Major „The Finding of Jesus in the Temple“, C 94: IV. SarabandeHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 5 in A Major „The Finding of Jesus in the Temple“, C 94: V. DoubleHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 6 in C Minor „The Agony in the Garden“, C 95: I. LamentoHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 6 in C Minor „The Agony in the Garden“, C 95: II. [Sarabande]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 6 in C Minor „The Agony in the Garden“, C 95: III. [Recitativo] - AdagioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 6 in C Minor „The Agony in the Garden“, C 95: IV. AdagioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 6 in C Minor „The Agony in the Garden“, C 95: V. [Marche]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 7 in F Major „The Scourging at the Pillar“, C 96: I. AllemandaHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 7 in F Major „The Scourging at the Pillar“, C 96: II. VariatioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 7 in F Major „The Scourging at the Pillar“, C 96: III. SarabandeHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 7 in F Major „The Scourging at the Pillar“, C 96: IV. VariatioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 7 in F Major „The Scourging at the Pillar“, C 96: V. [Variatio 2]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 7 in F Major „The Scourging at the Pillar“, C 96: VI. [Variatio 3]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 8 in B-Flat Major „The Crowning with Thorns“, C 97: I. SonataHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 8 in B-Flat Major „The Crowning with Thorns“, C 97: II. GuigueHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 8 in B-Flat Major „The Crowning with Thorns“, C 97: III. Double PrestoHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 8 in B-Flat Major „The Crowning with Thorns“, C 97: IV. Double 2Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 9 in A Minor „The Carrying of the Cross“, C 98: I. SonataHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 9 in A Minor „The Carrying of the Cross“, C 98: II. CourenteHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 9 in A Minor „The Carrying of the Cross“, C 98: III. DoubleHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 9 in A Minor „The Carrying of the Cross“, C 98: IV. [Double 2]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 9 in A Minor „The Carrying of the Cross“, C 98: V. FinaleHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: I. PraeludiumHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: II. AriaHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: III. VariatioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: IV. [Variatio 2]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: V. AdagioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: VI. [Variatio 4]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: VII. [Variatio 5]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 11 in G Major „The Resurrection“, C 100: I. SonataHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 11 in G Major „The Resurrection“, C 100: II. Surrexit Christus hodieHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 11 in G Major „The Resurrection“, C 100: III. AdagioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 12 in C Major „The Ascension“, C 101: I. IntradaHeinrich Ignaz Franz von Biber, Hélène Schmitt
Heinrich Ignaz Franz von Biber, born in 1644 in Wartenberg, Bohemia, was a virtuoso violinist and prolific composer of the Baroque era. Renowned for his extraordinary violin compositions, Biber's works are celebrated for their innovation and emotional depth, particularly his "Rosenkranz-Sonaten," which are rich in symbolism and expressive power. Beyond his violin masterpieces, Biber's repertoire includes sacred choral works, masses, and operas, showcasing his versatility and mastery of the Baroque style. His musical journey took him from Bohemia to Salzburg, where he left an indelible mark on the musical landscape of the High Baroque period. Biber's compositions continue to captivate audiences with their technical brilliance and profound artistic vision, making him a pivotal figure in the history of classical music.
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Heinrich Ignaz Franz von Biber
