Experience the timeless elegance of Baroque opera with Johann Adolf Hasse's "Didone abbandonata," a masterful 1742 opera that showcases the composer's virtuosity and the libretto's dramatic depth. This 2013 release by Naxos offers a captivating journey through the tragic love story of Dido and Aeneas, set to Hasse's enchanting music.
The album features a stellar cast, including Andreas Burkhart, Flavio Ferri Benedetti, and Magdalena Hinterdobler, who bring the characters to life with their powerful vocals. Under the skilled direction of Michael Hofstetter and the Hofkapelle München, the performance is both authentic and engaging, transporting you to the opulent courts of 18th-century Europe.
"Didone abbandonata" spans over two hours and forty-three minutes, encompassing a rich tapestry of arias, recitatives, and ensemble pieces. The opera's dramatic narrative unfolds through the voices of its principal characters: Didone, Enea, Iarba, Selene, and others, each bringing their unique perspectives to the tragic tale.
Hasse's composition is a testament to his mastery of the Baroque style, with intricate melodies and harmonies that highlight the libretto's poetic beauty. The opera's themes of love, betrayal, and redemption resonate deeply, making it a timeless classic in the opera repertoire.
This Naxos release is a faithful and vivid rendition of Hasse's original work, providing an excellent introduction to the composer's oeuvre for both classical music enthusiasts and newcomers alike. The high-quality recording ensures that every nuance of the performance is captured, allowing you to fully immerse yourself in the world of "Didone abbandonata."
2013 Naxos2013 Naxos
Tracks
Didone abbandonata: SinfoniaJohann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 1: No principessa (Enea, Selene, Osmida) - Scene 2: Che a te non pensi (Didone, Enea) - Scene 3: Parte cosi (Didone, Selene, Osmida)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 3: Aria: Diro che fida sei (Selene) - Scene 4: Didone, il re de' Mori (Iarba, Araspe, Osmida, Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 5: Aria: Son regina e sono amante (Didone) - Scene 5: Araspe, alla vendetta (Iarba, Osmida, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 5: Aria: Tu mi scorgi al gran disegno (Osmida) - Scene 6: Gia tel dissi, o Selene (Selene, Enea) - Scene 7: Stranier, dimmi; chi sei? (Iarba, Araspe, Enea, Selene)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 7: Aria: Quando saprai chi sono si fiero non sarai (Enea) - Scene 8: Non partira se pria… (Iarba, Selene) - Scene 9: Non e piu tempo (Iarba, Araspe, Osmida) - Scene 10: Ecco il rival (Iarba, Araspe, Enea) - Scene 11: Siam traditi, o regina (Osmida, Didone, Araspe, Iarba, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 11: Aria: Tu mi disarmi il fianco (Iarba) - Scene 12: Enea, salvo gia sei dalla crudel ferita (Didone, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 12: Aria: Non ha ragione, ingrato, un core abbandonato da chi giuro gli fe? (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 13: Accompanied Recitative and Aria: A le mie amorose folie… Se resto sul lido (Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 1: Indegno, t'offerisci al mio sdegno e non paventi! (Iarba, Araspe) - Scene 2: Chi sciolse (Selene, Araspe, Iarba)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 2: Aria: Leon, ch'errando vada (Iarba) - Scene 3: Ah contro Enea v'e qualche frode ordita (Selene, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 3: Aria: Ogni amator suppone (Selene) - Scene 4: Tu dici ch'io non speri (Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 4: Aria: L'augeletto in lacci stretto perche mai cantar si ascolta? (Araspe) - Scene 5: Gia so che si nasconde… (Didone, Osmida, Selene) - Scene 6: Come! Ancor non partisti? (Didone, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 6: Aria: Ah! Non lasciarmi, no (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 7: Fra il dovere e l'affetto (Enea, Araspe) - Scene 8: Risparmia al tuo gran core (Iarba, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 8: Aria: Vedi nel mio perdono, perfido traditor (Enea) - Scene 9: Tanto ardir nella reggia? (Selene, Enea, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 9: Aria: Tacero, se tu lo brami (Araspe) - Scene 10: Ah generoso Enea (Selene, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 10: Aria: Veggio la sponda, sospiro il lido (Selene) - Scene 11: Ad ascoltar di nuovo i rimpoveri tuoi vengo (Enea, Didone) - Scene 12: Didone, a che mi chiedi? (Iarba, Didone, Enea) - Scene 13: Senti. - Lascia che parta (Didone, Iarba)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 13: Aria: Chiamami pur cosi (Iarba) - Scene 14: E pure in mezzo all'ire (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 14: Aria: Va lusingando amore il credulo mio core (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 1: Gia di Iarba in difesa (Osmida, Araspe) - Scene 2: Non son contento (Iarba, Osmida, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 2: Aria: Quando l'onda che nasce dal monte (Osmida) - Scene 3: Addio Selene (Enea, Selene)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 3: Aria: A trionfar mi chiama un bel desio d'onore (Enea) - Scene 4: O dio, germana! (Selene, Didone) - Scene 5: Araspe in queste soglie! (Didone, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 5: Aria: Gia si desta la tempesta (Araspe) - Scene 6: Fuggi, o regina (Selene, Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 6: Aria: Ombra Cara, ombra tradita (Didone) - Scene 7: Fermati (Iarba, Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 7: Aria: Cadra fra poco in cenere il suo nascente impero (Iarba) - Scene 8: Numi, onde l'ira in sen tutta mi piomba (Didone, Selene, Araspe) - Final Scene: Ah che dissi, infelice! (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Johann Adolf Hasse, born in 1699 in Bergedorf, near Hamburg, was a towering figure in the world of 18th-century music, renowned for his operatic compositions that captivated audiences across Europe. A prolific composer, singer, and music teacher, Hasse's operatic works were immensely popular, and he was a key figure in the development of opera seria. His collaboration with the celebrated librettist Pietro Metastasio further enriched his operatic repertoire, making him a pivotal figure in the musical landscape of his time. Hasse's career spanned various European courts and theaters, including prestigious venues in Dresden, Venice, and Naples. Beyond his operatic achievements, Hasse also composed a significant amount of sacred music, showcasing his versatility and depth as a composer. His legacy endures, celebrated for his contributions to the late Baroque and early Classical periods.