Harvey: Tombeau de Messiaen

Album Description

Dive into the avant-garde world of Jonathan Harvey with his captivating album "Harvey: Tombeau de Messiaen," released in 2008. This collection is a testament to Harvey's innovative spirit and his deep respect for the musical legacy of Olivier Messiaen. The album features a mix of solo piano works and electronic compositions, showcasing Harvey's unique ability to blend traditional and modern elements.

The centerpiece of the album is "Tombeau de Messiaen," a homage to the French composer that Harvey crafted in 1994. This piece, performed by the virtuoso pianist Philip Mead, is a mesmerizing blend of piano and tape, where the piano's sound is continuously transformed by the harmonic interactions and distortions of its electronic counterpart. The album also includes other notable works such as "Mortuos Plango, Vivos Voco," "4 Images After Yeats," and "Ritual Melodies," each offering a distinct sonic experience.

"Harvey: Tombeau de Messiaen" is not just a celebration of Harvey's 60th birthday but also a tribute to his enduring influence in the world of contemporary classical music. The album's seven tracks, spanning 52 minutes, provide a comprehensive look into Harvey's compositional style, characterized by its spiritual depth and spectral thinking. Whether you're a seasoned fan of avant-garde music or a curious newcomer, this album offers a rich and rewarding listening experience.

July 30, 2008

About Jonathan Harvey

Jonathan Harvey was a pioneering British composer renowned for his innovative works that seamlessly blend live instruments with electronics, making him the first British composer to leave a significant mark on Central European audiences. Born in Sutton Coldfield, Harvey's musical journey began as a chorister at St Michael's College, Tenbury, where he honed his skills performing multiple services weekly. His academic pursuits led him to St John's College, Cambridge, where he became a major music scholar, eventually earning several doctorates.

Harvey's compositions are celebrated for their avant-garde approach, pushing the boundaries of traditional music. His extensive body of work includes notable pieces such as 'The Angels' (1994) and numerous plays, among them 'Beautiful Thing', 'Babies', and 'Boom Bang-A-Bang'. Beyond his musical contributions, Harvey also made a significant impact as a professor at the University of Sussex from 1977 until his retirement. His legacy continues to inspire through the Jonathan Harvey Electronic Music Studio, which opened in 2019 to celebrate his enduring influence on contemporary music.