Harry "Sweets" Edison & Jonah Jones Quartet

Album Description

Dive into the rich tapestry of jazz history with "Harry "Sweets" Edison & Jonah Jones Quartet," a timeless collection released in 1991 by the legendary trumpeter Harry "Sweets" Edison. This album is a celebration of hard bop and bebop, featuring a seamless blend of classic jazz standards and lesser-known gems that showcase the virtuosity of Edison and the Jonah Jones Quartet.

The album kicks off with "Black Orpheus," setting the stage for a journey through 12 meticulously crafted tracks. Each song is a testament to the quartet's mastery of their instruments and their deep understanding of jazz tradition. From the upbeat energy of "Keester Parade" to the sultry allure of "The Shadow of Your Smile," the album offers a diverse range of moods and tempos that keep the listener engaged from start to finish.

Highlights include "Seven Eleven," a lively number that showcases the quartet's impeccable timing and improvisational skills, and "Ode to Billy Joe," a poignant ballad that highlights Edison's expressive playing. The album also features beloved standards like "Don't Get Around Much Anymore" and "It Don't Mean a Thing," reimagined with a fresh, energetic twist.

Recorded under the LRC Ltd. / Groove Merchant Records label, this album is a must-listen for jazz enthusiasts and casual fans alike. With a total runtime of 1 hour and 3 minutes, it's a perfect addition to any jazz collection, offering a rich and rewarding listening experience that pays homage to the golden age of jazz.

January 1, 1991

About Harry "Sweets" Edison

Harry "Sweets" Edison, born in Columbus, Ohio, in 1915, was a jazz trumpeter whose smooth and lyrical playing style earned him a legendary status in the swing and big band eras. Edison's nickname, "Sweets," reflected not only his sweet tooth and charming personality but also the tender, supple quality of his trumpet playing. He began his career in the late 1930s as a key member of the Count Basie Orchestra, where he honed his skills as both a section trumpeter and a soloist.

Edison's most enduring contributions came from his work as a Hollywood studio musician, where his muted trumpet became a staple in the recordings of iconic singers like Frank Sinatra and Ella Fitzgerald. His distinctive, chrome-tinged obbligatos added a touch of elegance and sophistication to countless jazz-pop recordings. Edison's discography includes notable albums such as "Sweets" (1956), "Sweetenings" (1958), and "Patented by Edison" (1960), each showcasing his unique style and versatility.

Beyond his studio work, Edison was also a prolific solo artist, releasing several albums that highlighted his mastery of the trumpet. His playing, characterized by its warmth and precision, left an indelible mark on the jazz world. Edison's legacy endures as a testament to his artistry and his significant contributions to the rich tapestry of jazz and popular music.