Samson, HWV 57 (Sung in German): OvertureGeorge Frideric Handel, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act I: Act I: Chorus: Awake the trumpet's lofty sound! (Chorus)George Frideric Handel, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act I: Act I: Total eclipse! No sun, no moon! (Samson)George Frideric Handel, Ernst Haefliger, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act I: Act I: Oh first created beam! (Chorus)George Frideric Handel, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act I: Act I: Aria: Thy glorious deeds inspir'd my tongue (Manoah)George Frideric Handel, Kim Borg, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act I: Act I: Recitative: My griefs for this (Samson)George Frideric Handel, Ernst Haefliger, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act I: Act I: Why does the God of lsrael sleep? (Samson)George Frideric Handel, Ernst Haefliger, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act I: Act I: Return, O God of hosts (Micah, Chorus)George Frideric Handel, Ernst Haefliger, Marga Höffgen, Maria Stader, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act II: Act II: Duet: My faith and truth (Delilah, Maiden and Chorus)George Frideric Handel, Maria Stader, Maria Reith, Ernst Haefliger, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act II: Act II: Traitor to love! I’ll sue no more (Dalila, Samson)George Frideric Handel, Ernst Haefliger, Maria Stader, Heinz Rehfuss, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act II: Act II: Air: Honour and arms scorn such a foe (Harapha)George Frideric Handel, Heinz Rehfuss, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act II: Act II: Recitative: With thee! A man condemn'd (Harapha, Samson)George Frideric Handel, Ernst Haefliger, Heinz Rehfuss, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act II: Act II: Duet: Go, baffled coward, go (Samson, Harapha)George Frideric Handel, Ernst Haefliger, Heinz Rehfuss, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act II: Act II: Hear, Jacob's God, Jehovah, hear! (Chorus)George Frideric Handel, Heinz Rehfuss, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act II: Act II: Air: To song and dance we give the dayGeorge Frideric Handel, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act III: Act III: Recitative: More trouble is behind (Micah, Samson, Harapha)George Frideric Handel, Ernst Haefliger, Marga Höffgen, Heinz Rehfuss, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act III: Act III: Recitative: Reflect then, Samson (Micah, Samson)George Frideric Handel, Ernst Haefliger, Marga Höffgen, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act III: Act III: Chorus: With thunder arm'd, great God, arise! (Israelites)George Frideric Handel, Marga Höffgen, Ernst Haefliger, Heinz Rehfuss, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act III: Act III Scene 1: Air: Thus when the sun from's wat'ry bed (Samson)George Frideric Handel, Ernst Haefliger, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act III: Act III: Recitative: With might endued above the sons of men (Micah)George Frideric Handel, Marga Höffgen, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act III: Act III: Air: The Holy One of Israel be thy guide (Micah)George Frideric Handel, Marga Höffgen, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act III: Act III: Chorus: Great Dagon has subdu'd our foe (Israelite, Chorus)George Frideric Handel, Maria Reith, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act III: Act III: Air: How willing my paternal love (Manoah)George Frideric Handel, Marga Höffgen, Kim Borg, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act III: Act III: Air: Ye sons of Israel, now lament (Micah)George Frideric Handel, Marga Höffgen, Kim Borg, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act III: Act III: A Dead MarchGeorge Frideric Handel, Marga Höffgen, Kim Borg, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act III: Act III: Glorious Hero, may thy grave Peace (Chorus)George Frideric Handel, Maria Reith, Kim Borg, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Samson, HWV 57 (Sung in German), Act III: Act III: Air: Let the bright seraphim in burning row (Israelite Woman)George Frideric Handel, Maria Reith, RIAS Kammerchor, Chor der St. Hedwigs-Kathedrale Berlin, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay
Experience the dramatic prowess of George Frideric Handel with his masterful oratorio "Samson, HWV 57," performed in German. This captivating album, released in 2017 under Urania Records, showcases Handel's genius in the choral and operatic genres, spanning a rich duration of 2 hours and 3 minutes. The album features 27 tracks, each a testament to Handel's ability to weave intricate narratives through music.
"Samson, HWV 57" is a three-act oratorio that stands among Handel's finest dramatic works. The performance by the Deutsches Symphonie-Orchester Berlin, conducted by Ferenc Fricsay, brings to life the powerful story of Samson, blending stunning vocals with orchestral brilliance. The album opens with the stirring "Overture" and continues through a series of arias, duets, and choruses that highlight the depth and range of Handel's compositional skills.
Notable tracks include the haunting "Total eclipse! No sun, no moon!" sung by Samson, the dramatic duet "Go, baffled coward, go" featuring Samson and Harapha, and the moving "Let the bright seraphim in burning row," performed by an Israelite Woman. Each piece is meticulously crafted, showcasing the rich textures and dynamic range that define Handel's orchestral and vocal writing.
This album is a must-listen for classical music enthusiasts and those who appreciate the timeless beauty of Handel's compositions. Whether you're a seasoned fan of Handel's work or new to his oratorios, "Samson, HWV 57" offers a profound and engaging listening experience that underscores the enduring legacy of one of the greatest composers in history.
2017 Urania Records2017 Urania Records
About George Frideric Handel
George Frideric Handel, born in 1685 in Halle, Germany, is one of the most celebrated composers of the Baroque era, renowned for his enduring influence on classical music. His prolific career spanned various genres, including operas, oratorios, anthems, and concerti grossi. Handel's compositions, such as the iconic 'Water Music' and 'Music for the Royal Fireworks', continue to captivate audiences today. After settling in London in 1712, he became a prominent figure in British musical life, leaving an indelible mark on the country's cultural landscape. Handel's works are celebrated for their grandeur and emotional depth, making him a cornerstone of the Baroque period and a symbol of European musical heritage. His final resting place is in the south transept of Westminster Abbey, a testament to his enduring legacy.