Handel: Belshazzar, HWV 61, Act 3: Air. "Destructive War" (Cyrus)George Frideric Handel, David Daniels, John Nelson, Orchestre de chambre de Paris
Handel: Belshazzar, HWV 61, Act 1: Air. "Oh sacred oracles" (Daniel)George Frideric Handel, David Daniels, John Nelson, Orchestre de chambre de Paris
Handel: Semele, HWV 58, Act 3: Air. "Despair no more shall wound me" (Athamas)George Frideric Handel, David Daniels, John Nelson, Orchestre de chambre de Paris
Handel: Semele, HWV 58, Act 1: Air. "Your tuneful voice my tale would tell" (Athamas)George Frideric Handel, David Daniels, John Nelson, Orchestre de chambre de Paris
Handel: Theodora, HWV 68, Act 1: Air. "The raptur'd soul defies the sword" (Didymus)George Frideric Handel, David Daniels, John Nelson, Orchestre de chambre de Paris
Handel: Theodora, HWV 68, Act 1: Air. "Kind Heav'n if virtue be thy care" (Didymus)George Frideric Handel, David Daniels, John Nelson, Orchestre de chambre de Paris
Handel: Theodora, HWV 68, Act 2: Air. "Deeds of kindness to display" (Didymus)George Frideric Handel, David Daniels, John Nelson, Orchestre de chambre de Paris
Handel: Theodora, HWV 68, Act 2: Air. "Sweet rose and lily" (Didymus)George Frideric Handel, David Daniels, John Nelson, Orchestre de chambre de Paris
Handel: Saul, HWV 53, Act 3, Scene 5: Aria. "Brave Jonathan" (Merab)George Frideric Handel, David Daniels, John Nelson, Orchestre de chambre de Paris
Handel: Saul, HWV 53, Act 1, Scene 5: Aria. "O Lord, Whose Mercies Numberless" (David)George Frideric Handel, David Daniels, John Nelson, Orchestre de chambre de Paris
Handel: Jephtha, HWV 70, Act 2: Air. "Up the dreadful steep ascending" (Hamor)George Frideric Handel, David Daniels, John Nelson, Orchestre de chambre de Paris
Handel: Jephtha, HWV 70, Act 1: Air. "Dull delay, in piercing anguish" (Hamor)George Frideric Handel, David Daniels, John Nelson, Orchestre de chambre de Paris
Handel: Messiah, HWV 56, Pt. 2, Scene 1: Aria. "He Was Despised and Rejected of Men"George Frideric Handel, David Daniels, Martin Isepp, John Nelson, Orchestre de chambre de Paris
Immerse yourself in the timeless beauty of George Frideric Handel's compositions with the album "Handel: Oratorio Arias." Released in 2002 under Warner Classics, this exquisite collection showcases a selection of arias from Handel's oratorios, offering a captivating journey through the Baroque master's vocal repertoire. The album spans a variety of emotions and narratives, featuring arias from notable works such as "Belshazzar," "Semele," "Theodora," "Saul," "Jephtha," and the iconic "Messiah."
The album is a testament to Handel's genius, featuring some of his most profound and moving arias. Each track is a masterclass in vocal expression and orchestral accompaniment, performed with precision and passion. The arias are sung by renowned countertenor David Daniels, accompanied by the Orchestre de Chambre de Paris under the direction of John Nelson. Daniels' voice brings a unique depth and richness to these pieces, making this album a standout in the classical music genre.
"Handel: Oratorio Arias" is not just a collection of songs; it's a celebration of Handel's enduring legacy. The album's duration of 1 hour and 7 minutes provides a comprehensive exploration of Handel's vocal works, making it a valuable addition to any classical music enthusiast's library. Whether you're a longtime fan of Handel or a newcomer to his music, this album offers a rich and rewarding listening experience.
George Frideric Handel, born in 1685 in Halle, Germany, is one of the most celebrated composers of the Baroque era, renowned for his enduring influence on classical music. His prolific career spanned various genres, including operas, oratorios, anthems, and concerti grossi. Handel's compositions, such as the iconic 'Water Music' and 'Music for the Royal Fireworks', continue to captivate audiences today. After settling in London in 1712, he became a prominent figure in British musical life, leaving an indelible mark on the country's cultural landscape. Handel's works are celebrated for their grandeur and emotional depth, making him a cornerstone of the Baroque period and a symbol of European musical heritage. His final resting place is in the south transept of Westminster Abbey, a testament to his enduring legacy.
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