The Messiah, HWV 56: Pt. 1 No. 11, The People That Walked In Darkness (Bass) - Live at Cathedral of Brixen, 08/28/2009George Frideric Handel, Charles Jennens, Philipp von Steinaecker, Musica Saeculorum, Dominik Worner
The Messiah, HWV 56: Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto) - Live at Cathedral of Brixen, 08/28/2009George Frideric Handel, Charles Jennens, Philipp von Steinaecker, Musica Saeculorum, Kristina Hammarstrom
The Messiah, HWV 56: Pt. 2 No. 36, The Lord Gave the Word (Chorus) - Live at Cathedral of Brixen, 08/28/2009George Frideric Handel, Charles Jennens, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Observations on the works: Before we enter on the examinationsJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Observations on the works: Music is founded on established rulesJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Observations on the works: The rules are derived from experienceJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Observations on the works: The former of theseJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Observations on the works: Such passagesJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Observations on the works: Hence too we may concludeJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Observations on the works: As tste implies a natural sensibilityJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Observations on the works: Art is here not only useless, but dangerousJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: German and italian styles, Handel's preference for the italian: What gives me the fuller assuranceJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: German and italian styles, Handel's preference for the italian: The Taste in MusicJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: German and italian styles, Handel's preference for the italian: Handel formed his Taste upon that of his countrymenJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: German and italian styles, Handel's preference for the italian: When we consider two kinds of MusicJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: German and italian styles, Handel's preference for the italian: Thus he takes in all the prejudicated partJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: German and italian styles, Handel's preference for the italian: This appeares from particular instancesJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Italian music since Palestrina: The Old Music, such as it was at the time of PalestrinaJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Italian music since Palestrina: It happened, as it naturally mustJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Italian music since Palestrina: For their instrumental partsJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Italian music since Palestrina: The one is, that they have little time for composingJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Italian music since Palestrina: Almost every composer of genius in ItalyJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Italian music since Palestrina: This in some degreeJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Interaction between Handel and the italians: From all that has been saidJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Interaction between Handel and the italians: And as some proof of Handel's influence in ItalyJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Value of harmony and melody: But in order to make a right judgementJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Value of harmony and melody: The concertos of TartiniJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Value of harmony and melody: Rousseau has developed this matter wonderfullyJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Value of harmony and melody: His uncommon strenght in the instrumental wayJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Value of harmony and melody: It may also be addedJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Value of harmony and melody: Yet in many others all parts are so nicely adjustedJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Value of harmony and melody: The best Painter would be blamedJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Uneven success in Handel: To speak the plain truthJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Uneven success in Handel: A gentleman whom he had desiredJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Uneven success in Handel "Un disprezzato affetto"John Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Tartini as example of vocal writing for instruments: Here too we will seeJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Tartini as example of vocal writing for instruments: After all the vocal speciesJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Tartini as example of vocal writing for instruments: As most difficult passagesJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Importance of textual considerations in composition: And here I just may take noticeJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Importance of textual considerations in composition: A too close attachmentJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Importance of textual considerations in composition: The English tongueJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Importance of textual considerations in composition: If it abounds with noble imagesJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Exceptional nature of Handels choral music: In his Chorusses he is without a rivalJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Exceptional nature of Handels choral music: It is true that in the admirable epistleJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Exceptional nature of Handels choral music: But there are many reasonsJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Exceptional nature of Handels choral music: It is however no way improbableJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Effects of Handel's oratorio style, Messiah: As his OratoriosJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Effects of Handel's oratorio style, Messiah: After these vast efforts of geniusJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Effects of Handel's oratorio style, Messiah: This is probably owing to that grandeur of conceptionJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
Memoirs: Particular effect of recitative in expressing religion and humanity: His excellence in another branch of vocal MusicJohn Mainwaring, Richard Wistreich, Philipp von Steinaecker, Musica Saeculorum
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Album Details
(C) 2024 FIN(P) 2023 fra bernardo
Immerse yourself in the world of George Frideric Handel through the insightful lens of John Mainwaring's "Handel: Memoirs 5." This captivating album, released on August 21, 2024, under the FIN label, offers a unique blend of live performances and scholarly commentary, providing a comprehensive exploration of Handel's musical genius.
The album begins with three powerful live recordings from the Cathedral of Brixen, featuring excerpts from Handel's iconic oratorio "The Messiah." These performances showcase the grandeur and emotional depth of Handel's choral and solo works, with standout pieces like "The People That Walked In Darkness" and "He Shall Feed His Flock Like a Shepherd."
Beyond the live performances, "Handel: Memoirs 5" delves into the historical and theoretical aspects of Handel's music through a series of insightful commentaries by John Mainwaring. These tracks explore the evolution of Italian music since Palestrina, the interaction between Handel and Italian composers, and the value of harmony and melody in Handel's works. Mainwaring also discusses the exceptional nature of Handel's choral music and the impact of his oratorio style, particularly in "The Messiah."
With a total runtime of 41 minutes, this album is a concise yet profound journey through Handel's musical legacy. John Mainwaring's expert analysis, combined with the stirring live performances, makes "Handel: Memoirs 5" a compelling listen for both casual fans and serious music enthusiasts. Whether you're interested in the historical context of Handel's works or simply want to enjoy some of his most beloved pieces, this album offers a rich and rewarding experience.
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