- Albums
- guerre et paix - jordi savall
Guerre et Paix
- 2015
- 47 tracks
- 2 uur, 33 min
- medieval
Album Description
Jordi Savall, the renowned Catalan musician and conductor, presents "Guerre et Paix," a monumental double album that spans the tumultuous century from 1614 to 1714. This extraordinary collection, released in 2015 under the Alia Vox label, is a testament to Savall's deep musical scholarship and his unparalleled ability to bring historical periods to life through music.
"Guerre et Paix" is a sweeping exploration of the themes of war and peace, featuring 47 meticulously curated tracks that blend medieval and classical genres. The album's duration of 2 hours and 33 minutes offers an immersive journey through the musical landscapes of the 17th and early 18th centuries, showcasing the rich tapestry of compositions that reflect the political and social upheavals of the time.
The album opens with "Pavane pour la petite « guaire » (guerre)," a somber piece composed in 1601, setting the stage for the thematic exploration of conflict and resolution. It includes a diverse range of works, from the haunting "Ha lahma ‘anya – Plainte en Araméen" to the triumphant "Hymne de la Catalogne," reflecting the cultural and geographical breadth of Savall's musical vision.
"Guerre et Paix" features performances by La Capella Reial de Catalunya, Le Concert des Nations, and Hespèrion XXI, ensembles that Savall has nurtured and directed with exceptional skill. The album's production, released in various formats including CD, Vinyl, and MP3, ensures that listeners can experience the rich, detailed soundscapes that Savall and his ensembles are known for.
Whether you are a seasoned classical music enthusiast or a curious newcomer, "Guerre et Paix" offers a profound and engaging exploration of a pivotal historical period through the lens of its music. Jordi Savall's expertise and passion shine through in every note, making this album a standout addition to any music collection.
Tracks
- Pavane pour la petite « guaire » (guerre), fait pour les Cornetz en 1601Philidor l'Asiné, Le Concert Des Nations, Jordi Savall
- Makam « Muhayyer pesrev » – Marche Guerrière Ottomane: I. TaksimTraditionnel, Hespèrion XXI, Jordi Savall
- Makam « Muhayyer pesrev » – Marche Guerrière Ottomane: II. Marche turqueTraditionnel, Hespèrion XXI, Jordi Savall
- Ha lahma ‘anya – Plainte en AraméenTraditionnel, La Capella Reial De Catalunya, Jordi Savall
- Galliard Battaglia à 5 Voci. Cantus XXISamuel Scheidt, Le Concert Des Nations, Jordi Savall
- Romance : Ya es tiempo de recogerAnonyme, La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall
- Zion spricht : Der Herr hat mich verlassenJohann Hermann Schein, La Capella Reial De Catalunya, Jordi Savall
- Charivaris pour les hautboisPhilidor l'Asiné, Le Concert Des Nations, Jordi Savall
- Gavotte en suittePhilidor l'Asiné, Le Concert Des Nations, Jordi Savall
- Catalunya comptat granTraditionnel, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Hymne de la CatalogneTraditionnel, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Intrada-Geschwindt-Langsamer-Sarabande (Suites d'orchestre)Guillaume Dumanoir, Le Concert Des Nations, Jordi Savall
- Taksim & Makam « Uzzäl uşūleş Darb-I feth »Dervis Mehmed, Hespèrion XXI, Jordi Savall
- Siehe an die Werke GottesJohann Rosenmüller, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- The Newark SiegeJohn Jenkins, Hespèrion XXI, Jordi Savall
- Philippus Rex HispaniæAmbrosio Cotes, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Jubilate Deo « Le Motet de la Paix » (LWV 77/16)Jean-Baptiste Lully, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Der makām-ı Räst « Murass’a » uşūleş DüyekTraditionnel, Hespèrion XXI, Jordi Savall
- Alceste: Marche des CombattantsJean-Baptiste Lully, Le Concert Des Nations, Jordi Savall
- Alceste: Menuet (LWV 50)Jean-Baptiste Lully, Le Concert Des Nations, Jordi Savall
- Praise the Lord, O my soulJohn Blow, La Capella Reial De Catalunya, Jordi Savall
- Te Deum: I. PréludeMarc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Te Deum: II. Te Deum LaudamusMarc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Te Deum: III. Te aeternum patremMarc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Te Deum: IV. Pleni sunt caeliMarc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Battalia a 10: I. SonataHeinrich Ignaz Franz von Biber, Le Concert Des Nations, Jordi Savall
- Battalia a 10: II. Die SchlachtHeinrich Ignaz Franz von Biber, Le Concert Des Nations, Jordi Savall
- Cant dels Aucells quant arribaren los VaixellsTraditionnel, La Capella Reial De Catalunya, Jordi Savall
- Il più bel nome: I. SinfoniaAntonio Caldara, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Il più bel nome: II. Coro di Seguaci della virtùAntonio Caldara, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Il più bel nome: III. Aria : Cari ElisiAntonio Caldara, Marianne Beata Kielland, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Requiem: Marcia FunebreHeinrich Ignaz Franz von Biber, Le Concert Des Nations, Jordi Savall
- Missa Bruxellensis: KyrieHeinrich Ignaz Franz von Biber, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Florilegium II, Chaconne de la Suite IV « Impatientia »Georg Muffat, Le Concert Des Nations, Jordi Savall
- Der makām-ı Uzzäl Sakîl « Turna » Semâ’îTraditionnel, Hespèrion XXI, Jordi Savall
- Beznevéstnaya Dévo (O Virgo)Vasily Titov, La Capella Reial De Catalunya, Jordi Savall
- Batalla ImperialJuan Cabanilles, Hespèrion XXI, Jordi Savall
- Battalia a 10: Lamento der Verwundten MusquetirerHeinrich Ignaz Franz von Biber, Le Concert Des Nations, Jordi Savall
- Missa Pro Defunctis - Hei mihiJoan Cererols, La Capella Reial De Catalunya, Jordi Savall
- Catalunya en altre tempsTraditionnel, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Jubilate Deo / O Be Joyful, HWV 279: I. O Be Joyful in the LordGeorge Frideric Handel, David Munderloch, Le Concert Des Nations, Jordi Savall
- Jubilate Deo / O Be Joyful, HWV 279: II. Serve the Lord with GladnessGeorge Frideric Handel, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Jubilate Deo / O Be Joyful, HWV 279: III. Be Ye Sure That the Lord He Is GodGeorge Frideric Handel, Damien Guillon, Stephan McLeod
- Jubilate Deo / O Be Joyful, HWV 279: IV. O Go Your Way Into His GatesGeorge Frideric Handel, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Jubilate Deo / O Be Joyful, HWV 279: V. For the Lord Is Gracious - TerzettoGeorge Frideric Handel, Damien Guillon, Stephan McLeod, David Munderloch
- Jubilate Deo / O Be Joyful, HWV 279: VI. Glory Be to the Father - ChorusGeorge Frideric Handel, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
- Jubilate Deo / O Be Joyful, HWV 279: VII. As It Was in the Beginning - ChorusGeorge Frideric Handel, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall
About Jordi Savall
Jordi Savall is a renowned Catalan musician, celebrated for his mastery of the viola da gamba, orchestral conducting, and his deep scholarly work in the field of early music. With over five decades of experience, Savall has become one of the most versatile and influential figures in the world of medieval and classical music. He has recorded over 200 albums, each one a testament to his dedication to preserving and revitalizing the sounds of the Renaissance and Baroque periods. Savall's work extends beyond recording; he has composed music for films and performs over 150 concerts annually, meticulously planning each project to ensure an unforgettable experience for his audience. His contributions to musicology and his founding of several ensembles have earned him numerous international awards, including a Grammy and the Léonie Sonning Music Prize. Savall's passion for intercultural dialogue and his commitment to rescuing historical music from various cultures and periods make him a true pioneer in the realm of early music.
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