Dive into the timeless elegance of George Shearing's "Greatest Jazz Masters (1956-1961)," a captivating compilation that spans over four hours of exquisite cool jazz, vocal jazz, and classic jazz compositions. This extensive collection, released by Jazz City Records in 2015, features 91 tracks that showcase Shearing's mastery of the piano and his ability to create enchanting melodies that have stood the test of time.
From the sultry "Autumn in New York" to the rhythmic "Cali Mambo," this album is a journey through the golden era of jazz, highlighting Shearing's versatility and innovative spirit. Whether it's the smooth vocals on "Goodnight My Love" or the instrumental brilliance of "Rondo," each track offers a unique blend of sophistication and charm. The album also includes beloved standards like "The Man I Love" and "All of You," reimagined with Shearing's signature style.
George Shearing, a pioneer of bebop and a virtuoso pianist, brings his distinctive sound to every piece, making this collection a treasure trove for jazz enthusiasts. The album's duration of over four hours ensures that listeners can immerse themselves in the rich tapestry of Shearing's music, experiencing the evolution of his artistry over the course of five transformative years. Whether you're a longtime fan or a newcomer to his work, "Greatest Jazz Masters (1956-1961)" is a testament to Shearing's enduring legacy in the world of jazz.
George Shearing, the renowned British-American jazz pianist, captivated audiences worldwide with his inventive and melodic style. Born blind in Battersea, London, in 1919, Shearing overcame significant obstacles to become one of the most popular jazz musicians of the 20th century. His career spanned decades, from the 1930s through the 2010s, during which he led a highly acclaimed jazz combo and composed over 300 pieces, including the timeless classic "Lullaby of Birdland." Shearing's talent extended beyond the piano; he was also a gifted arranger and composer, known for his orchestrated jazz and romantic solos. His international reputation was cemented through performances on both the concert stage and in intimate jazz clubs, making him a beloved figure in the jazz community until his passing in 2011.
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