Glad To Be Unhappy

Paul Desmond, renowned for his distinctive alto saxophone sound, delivers a captivating journey through various jazz styles with his 1965 album "Glad To Be Unhappy." Recorded between 1963 and 1964 and released by RCA Victor, this album is a testament to Desmond's musical prowess and versatility. The tracklist features a blend of cool jazz, bossa nova, and Brazilian jazz, showcasing Desmond's ability to navigate different genres with ease.

The album opens with the title track "Glad to Be Unhappy," setting the tone for the rest of the record. Desmond's collaboration with guitarist Jim Hall is particularly noteworthy, as their interplay creates a rich, textured sound that is both sophisticated and accessible. Tracks like "Poor Butterfly" and "Angel Eyes" highlight Desmond's knack for interpreting standards, while "Hi-Lili, Hi-Lo" and "A Taste of Honey" showcase his ability to infuse popular tunes with a jazz sensibility.

"Glad To Be Unhappy" is not just a collection of songs but a cohesive body of work that reflects Desmond's unique artistic vision. The album's production quality is top-notch, with each instrument clearly audible and the overall mix balanced perfectly. The contributions of Gene Cherico on bass and drummer Connie Kay add depth and drive to the music, making it a dynamic listening experience.

For fans of cool jazz and bossa nova, this album is a treasure trove of timeless performances. Paul Desmond's playing is characterized by its lyrical quality and melodic inventiveness, making "Glad To Be Unhappy" a standout in his discography. Whether you're a longtime admirer of Desmond's work or a newcomer to his music, this album offers a rich and rewarding experience that showcases the best of his artistry.