Experience the timeless elegance of Girolamo Frescobaldi's keyboard mastery with this captivating collection of 11 toccatas and a stunning madrigal, all meticulously performed by Ivana Valotti. This album, released on the Da Vinci Classics label, presents a selection from Frescobaldi's second toccata collection, originally published in 1627. The album features a diverse range of toccatas, each showcasing the composer's unique style and technical prowess, from the intricate "Toccata quarta" to the challenging "Toccata nona (Non senza fatiga si giunge al fine)."
The album also includes a beautiful intabulation of Jacob Arcadelt's madrigal "Ancidetemi pur," demonstrating Frescobaldi's skill in adapting vocal music for the keyboard. This piece, along with the toccatas, offers a glimpse into the rich musical landscape of the early 17th century.
Ivana Valotti's performance brings these pieces to life, highlighting the intricate details and expressive nuances of Frescobaldi's compositions. The album's duration of 59 minutes provides a satisfying listen, perfect for those seeking to explore the depths of early Baroque keyboard music. Whether you're a seasoned classical music enthusiast or new to the genre, this album is sure to captivate and inspire.
Girolamo Alessandro Frescobaldi, born in the Duchy of Ferrara in 1583, was a virtuoso keyboard player and one of the most influential composers of the late Renaissance and early Baroque periods. A child prodigy, Frescobaldi studied under the renowned Luzzasco Luzzaschi and was inspired by several notable composers of his time. His career reached great heights when he was appointed as the organist of St. Peter's Basilica in Rome, a position he held intermittently from 1608 until his death in 1643. Frescobaldi's compositions for harpsichord and organ are celebrated for their technical brilliance and emotional depth, making him a pivotal figure in the development of keyboard music. His work not only defined the Italian Baroque style but also had a profound impact on the German Baroque school, solidifying his legacy as one of the first great masters of organ composition.
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