Dive into the gritty underbelly of Naples with Umberto Giordano's powerful opera, "Mala vita." This compelling work, composed in 1892, is a stark portrayal of life in the city's slums, brought to life with vivid detail and intense drama. The opera, set in three acts, follows the tragic tale of a young man with tuberculosis who makes a desperate vow to marry a prostitute if he is healed by God. Giordano's score is a masterclass in verismo, capturing the raw and unfiltered realities of human struggle with unparalleled authenticity.
This 2014 release by Bongiovanni features a stellar cast, including Angelo Cavallaro, who delivers a commanding performance that brings depth and nuance to the lead role. The opera's rich orchestration and choral arrangements are beautifully rendered by the Coro Lirico Umberto Giordano and the Orchestra Lirico Sinfonica della Capitanata, ensuring an immersive and captivating experience from start to finish.
"Mala vita" is not just an opera; it's a vivid snapshot of a time and place, brought to life through Giordano's masterful composition and the talented performances of its cast. With a duration of just over an hour and fourteen minutes, this opera is a gripping exploration of love, desperation, and the human condition. Whether you're a seasoned opera enthusiast or new to the genre, "Mala vita" offers a powerful and unforgettable journey into the heart of Naples' darker side.
2014 Bongiovanni2014 Bongiovanni
Tracks
Mala vita, Act I Scene 1: Son grida! Sentite (Chorus)Umberto Giordano, Angelo Cavallaro, Coro Lirico Umberto Giordano, Orchestra Lirico Sinfonica della Capitanata
Mala vita, Act I Scene 1: Canzone. Sapete voi la storia? (Marco, Chorus)Umberto Giordano, Angelo Cavallaro, Antonio Rea, Coro Lirico Umberto Giordano, Orchestra Lirico Sinfonica della Capitanata
Mala vita, Act I Scene 2: Fa paura (Marco, Vito, Chorus)Umberto Giordano, Antonio Rea, Maurizio Graziani, Coro Lirico Umberto Giordano, Orchestra Lirico Sinfonica della Capitanata, Angelo Cavallaro
Mala vita, Act I Scene 2: Il Voto. O Gesu mio d'amor (Vito, Chorus)Umberto Giordano, Maurizio Graziani, Coro Lirico Umberto Giordano, Orchestra Lirico Sinfonica della Capitanata, Angelo Cavallaro
Mala vita, Act I Scene 3: Ecco chi ci può dir la verita (Annetiello)Umberto Giordano, Angelo Cavallaro, Massimo Simeoli, Orchestra Lirico Sinfonica della Capitanata
Mala vita, Act I Scene 3: Canzone. Tutto e già pronto (Annetiello, Chorus)Umberto Giordano, Angelo Cavallaro, Massimo Simeoli, Coro Lirico Umberto Giordano, Orchestra Lirico Sinfonica della Capitanata
Mala vita, Act I Scene 3: Edora da zio Tore (Annetiello)Umberto Giordano, Angelo Cavallaro, Massimo Simeoli, Orchestra Lirico Sinfonica della Capitanata
Mala vita, Act I Scene 4: Duetto. Questo fior voi lo gettaste a me? (Cristina, Vito)Umberto Giordano, Paola di Gregorio, Maurizio Graziani, Orchestra Lirico Sinfonica della Capitanata, Angelo Cavallaro
Mala vita, Act I Scene 5: Finale. Bella, anzi bellissima (Annetiello)Umberto Giordano, Angelo Cavallaro, Massimo Simeoli, Orchestra Lirico Sinfonica della Capitanata
Mala vita, Act II Scene 1: Nunzia non viene (Amalia, Nunzia)Umberto Giordano, Angelo Cavallaro, Maria Miccoli, Tiziana Portoghese, Orchestra Lirico Sinfonica della Capitanata
Mala vita, Act II Scene 1: Duetto. Madonna, non mi far impazzire (Amalia, Cristina)Umberto Giordano, Angelo Cavallaro, Maria Miccoli, Paola di Gregorio, Orchestra Lirico Sinfonica della Capitanata
Mala vita, Act II Scene 2: IntermezzoUmberto Giordano, Angelo Cavallaro, Orchestra Lirico Sinfonica della Capitanata
Mala vita, Act II Scene 3: Finale. Amalia, Amalia (Vito, Amalia)Umberto Giordano, Maurizio Graziani, Maria Miccoli, Orchestra Lirico Sinfonica della Capitanata, Angelo Cavallaro
Mala vita, Act III Scene 1: Canzone. Quattro! Sette! … Canzon d'amor (Vito, Chorus)Umberto Giordano, Maurizio Graziani, Coro Lirico Umberto Giordano, Orchestra Lirico Sinfonica della Capitanata, Angelo Cavallaro
Mala vita, Act III Scene 1: TarantellaUmberto Giordano, Angelo Cavallaro, Orchestra Lirico Sinfonica della Capitanata
Mala vita, Act III Scene 2: Canzone. La canzon, la canzon - Bravi (Annetiello, Chorus)Umberto Giordano, Angelo Cavallaro, Massimo Simeoli, Coro Lirico Umberto Giordano, Orchestra Lirico Sinfonica della Capitanata
Mala vita, Act III Scene 3: Intermezzo e Duetto. Buona sera! (Cristina, Vito)Umberto Giordano, Paola di Gregorio, Maurizio Graziani, Orchestra Lirico Sinfonica della Capitanata, Angelo Cavallaro
Mala vita, Act III Scene 4: O Vito, o Vito (Cristina, Amalia, Vito)Umberto Giordano, Paola di Gregorio, Maria Miccoli, Maurizio Graziani, Orchestra Lirico Sinfonica della Capitanata, Angelo Cavallaro
Mala vita, Act III Scene 5: Finale. Lascia quei cenci … ! (Cristina, Chorus)Umberto Giordano, Angelo Cavallaro, Paola di Gregorio, Coro Lirico Umberto Giordano, Orchestra Lirico Sinfonica della Capitanata
Umberto Giordano, born in the southern Italian city of Foggia in 1867, is celebrated for his powerful and emotive operas that defined the verismo style. His most renowned work, "Andrea Chénier," is a vocal tour de force that has captivated audiences with its dramatic intensity and rich melodic lines. Giordano's journey to becoming a renowned composer was marked by his studies under Paolo Serrao at the Conservatoire of Naples, where he honed his craft and laid the foundation for his future successes. Throughout his career, Giordano composed a dozen operas, each contributing to his legacy as a master of the verismo genre. His works, including "Fedora" and "Siberia," are known for their realistic portrayals of life and deep emotional resonance. Giordano's contributions to opera have left an indelible mark on the world of classical music, making him a pivotal figure in the verismo movement.
Vinylscout
Umberto Giordano
