Gigli, a Life in Words and Music: 'I was born with a voice and very little else...' / Ponchielli: 'Cielo e mar' from La Gioconda - 1918na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Family backgroundna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Gigli's stage debut and poverty-stricken startna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Puccini: 'O soave fanciulla' from La Bohème - 1919na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Service in the household of Countess Spannocchina Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Donizetti: 'Spirto gentil' from La favorita - 1918na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Colonel Delfino, and Giovanni Zerri's legal agreementna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Cannio: O surdato 'nnammurato - 1918na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: A hospital visit and a scholarshipna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Mascagni: 'Ah! Ritrovarla nella sua capanna' from Lodoletta - 1918na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Gigli graduates and makes his debut; he goes for the high B flatna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Puccini: 'e lucevan le stelle' from Tosca - 1918na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Marriage, Rome and a tour to Spainna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Mascagni: 'Apri la tua finestra!' from Iris - 1918na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: A letter from Fred Gaisberg of HMVna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Mascagni: 'Mamma, quel vino e generoso' from Cavalleria rusticana - 1919na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Gigli conquers South America, and receives an offer from the Metna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Metropolitan Opera debut in Mefistofelena Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Boito: 'Giunto sul passo estremo' from Mefistofele - 1921na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: The critics' verdict, and more performancesna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Donizetti: 'Tombe degl'avi miei' from Lucia di Lammermoor - 1927na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Gigli's fate becomes entwined with Caruso'sna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Giordano: 'un di all'azzurro spazio' from Andrea Chenier - 1922na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Who will be Caruso's successor?na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Verdi: 'de'miei bollenti spiriti' from La traviata - 1928na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Life forms a regular pattern, and Gigli learns to sing in foreign languagesna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Lalo: 'Vainement, ma bien aimee' from Le Roi d'Ys - 1922na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Manon at the Metna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Massenet: 'O dolce incanto' from Manon - 1931na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Catalani's Loreleyna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Catalani: 'Nel verde maggio' from Loreley - 1923na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Summer in Italy, then back to New York and some physical trainingna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Gounod: 'Ah! Ne fuis pas encore!' from Romeo et Juliette - 1923na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Honorary Captain of the NYPDna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Meyerbeer: 'O paradiso' from L'Africaine - 1928na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Flourishing finances and professional rivalriesna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Crushing remarks; the attraction of radiona Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Sullivan: The Lost Chord - 1931na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: A new decade, and the honour of playing Nemorino at the Metna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Donizetti: 'Quanto e bella' from L'elisir d'amore - 1925na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Debuts in Paris and London, and London's critical receptionna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Flotow: 'M'appari' from Mata (Martha) - 1929 [Ach! So fromm]na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Crisis: The death of Gigli's mother, and tension at the Metna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Departure from the Metna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: America's loss Is Europe's gainna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Speech: Gigli in an interview at the Savoy Hotel, London - 1946na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Cherished London reviewsna Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Leoncavallo: 'No, Pagliacci non son!' from Pagliacci - 1934na Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Recording reflects the dramana Not Applicable, Graeme Kay
Gigli, a Life in Words and Music: Leoncavallo: 'Suvvia, così terribile' from Pagliacci - 1934na Not Applicable, Graeme Kay
Dive into the extraordinary life and career of the legendary tenor Beniamino Gigli with this captivating audio journey. Narrated by Graeme Kay, "Gigli: Beniamino Gigli - A Life in Words and Music" is a meticulously crafted exploration of one of the most celebrated voices in operatic history. Released on May 3, 2004, this Naxos production spans over three hours, offering a rich tapestry of Gigli's personal and professional milestones, interwoven with his most iconic performances.
From his humble beginnings to his triumphant debuts at the Metropolitan Opera and beyond, this album chronicles Gigli's rise to fame, his struggles, and his enduring legacy. Featuring excerpts from beloved operas by composers such as Puccini, Verdi, and Donizetti, the album provides a musical backdrop to Gigli's life story. Each track is a window into a different phase of his career, from his early days in Italy to his international acclaim and eventual return to Europe.
Graeme Kay's narration brings Gigli's memoirs to life, offering insights into the tenor's personal reflections and the critical reception of his performances. The album includes a diverse range of arias and songs, showcasing Gigli's vocal prowess and the breadth of his repertoire. Whether you're a seasoned opera enthusiast or new to the world of classical music, this album offers a compelling and comprehensive look at the life of Beniamino Gigli, a true master of his craft.
2004 Naxos2004 Naxos
About na Not Applicable
N/A, an enigmatic figure in the world of ragtime, brings a unique and captivating energy to the genre. Known for their ability to blend traditional ragtime elements with a modern twist, N/A's music is both nostalgic and innovative. Their compositions are characterized by intricate melodies, lively rhythms, and a deep sense of musicality that keeps audiences on the edge of their seats. N/A's performances are not just concerts; they are immersive experiences that transport the audience to a bygone era while keeping them firmly rooted in the present. With a style that is distinctly their own, N/A continues to push the boundaries of ragtime, making them a standout artist in the genre.
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