- Albums
- ghostdance - pauline oliveros
Ghostdance
- 1998
- 13 tracks
- 51 min
- drone
Album Description
Pauline Oliveros' captivating album, Ghostdance, is a profound exploration of sound and atmosphere, released on 10 October 1998 through the esteemed Deep Listening label. Spanning 51 minutes, this masterpiece weaves together an intricate tapestry of drone, avant-garde, minimalism, ambient, and experimental genres, showcasing Oliveros' innovative approach to music.
The album's tracklist is a testament to Oliveros' boundless creativity, featuring an array of evocative pieces, including 'Procession', 'Ghosting', 'Fragments', and 'Reverberations', among others. Each composition is a thoughtfully crafted entity, designed to transport the listener through a rich sonic landscape. From the haunting textures of 'In the Houses of My Families' to the introspective 'Private Journeys', Oliveros' work is characterised by its depth and emotional resonance.
Throughout Ghostdance, Pauline Oliveros demonstrates her remarkable ability to craft immersive, otherworldly soundscapes, often incorporating elements of nature and the human experience. The result is an album that is at once challenging, beautiful, and deeply rewarding, inviting repeated listens and reflection. As a pioneering figure in the world of experimental music, Oliveros' Ghostdance is a seminal work, one that continues to inspire and influence artists to this day.
Tracks
- ProcessionPauline Oliveros
- GreetingsPauline Oliveros
- GhostingPauline Oliveros
- FragmentsPauline Oliveros
- In the Houses of My FamiliesPauline Oliveros
- ReverberationsPauline Oliveros
- DuetPauline Oliveros
- Body StoriesPauline Oliveros
- MonkeyPauline Oliveros
- WolfPauline Oliveros
- Private JourneysPauline Oliveros
- River of Folk DancePauline Oliveros
- The Last TimePauline Oliveros
About Pauline Oliveros
Pauline Oliveros, a pioneering American composer and accordionist, stands as a titan in the realms of experimental and electronic music. Born in Houston, Texas, in 1932, Oliveros was a proud lesbian and feminist whose innovative spirit blazed trails through the avant-garde, drone, minimalism, and ambient genres. She was renowned for her groundbreaking mixed-media compositions in the 1960s, seamlessly blending diverse musical elements and technologies. Oliveros was not just a composer but also a lecturer, theorist, and writer, leaving an indelible mark with her influential 1984 text "Software for People." Her deep listening practice, designed to enhance performers' responsiveness to their environment, further cemented her legacy as a visionary in the music world. Oliveros's journey was one of continuous evolution, making her a true icon in the development of post-war experimental and electronic art music.
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