Immerse yourself in the timeless elegance of Girolamo Frescobaldi's "Frescobaldi: Motets and Organ Works," a captivating collection of sacred and instrumental music that showcases the genius of one of the most influential composers of the late Renaissance and early Baroque periods. Released on July 15, 2018, under the Passacaille label, this album is a testament to Frescobaldi's mastery of both vocal and keyboard compositions.
Spanning a duration of 1 hour and 14 minutes, the album features a diverse array of pieces, including motets, toccatas, canzonas, and gagliardas. The motets, such as "Jesu Rex admirabilis" and "Ave Virgo gloriosa," are rendered with exquisite vocal harmonies, while the organ works, like "Toccata terza per sonarsi alla levatione" and "Toccata con il contrabbasso ovvero pedale," display Frescobaldi's virtuosic command of the keyboard. The inclusion of instrumental pieces like "Capriccio sopra la bassa fiamenga" and "Fantasia prima" adds a dynamic contrast to the sacred vocal works.
Performed by the talented Lorenzo Ghielmi and La Divina Armonia, this album is a meticulously crafted journey through Frescobaldi's musical legacy. Ghielmi's expertise on the organ and his nuanced direction of the ensemble bring out the rich textures and intricate polyphony that define Frescobaldi's style. The album's liner notes provide insightful commentary on the historical and musical context of each piece, enhancing the listening experience.
Whether you are a seasoned classical music enthusiast or a newcomer to the works of Girolamo Frescobaldi, this album offers a profound and enriching exploration of the composer's contributions to the sacred and instrumental repertoire. The blend of vocal and organ works creates a harmonious balance, making it a compelling addition to any classical music collection.
(C) 2018 Passacaille
Tracks
Jesu Rex admirabilis, F 11.23Girolamo Frescobaldi, Lorenzo Ghielmi
Ave Virgo gloriosa, F 11.31Girolamo Frescobaldi, Lorenzo Ghielmi
O Jesu mi dulcissime, F 11.05 - a tenore soloGirolamo Frescobaldi, Lorenzo Ghielmi
Capriccio sopra la bassa fiamenga F 4.05 - (Primo libro di Capricci)Girolamo Frescobaldi, Lorenzo Ghielmi
Toccata terza per sonarsi alla levatione, F 3.03Girolamo Frescobaldi, Lorenzo Ghielmi
Gagliarda seconda, F 3.28Girolamo Frescobaldi, Lorenzo Ghielmi
Gagliarda terza, F 3.Girolamo Frescobaldi, Lorenzo Ghielmi
Peccavi super numerum F 11.40 - 2 canti e tenoreGirolamo Frescobaldi, Lorenzo Ghielmi
Tota pulchra es amica mea, F 11.15 - a 2 canto e tenoreGirolamo Frescobaldi, Lorenzo Ghielmi
Toccata avanti la messa della Madonna , F 12.34Girolamo Frescobaldi, Lorenzo Ghielmi
Canzon dopo l'epistola, F 12.14Girolamo Frescobaldi, Lorenzo Ghielmi
Toccata per l'elevazione, F 12.45Girolamo Frescobaldi, Lorenzo Ghielmi
Ego sum qui sum, F 11.28Girolamo Frescobaldi, Lorenzo Ghielmi
De ore prudentis procedit mel, F 11.7 - a 2 sopraniGirolamo Frescobaldi, Lorenzo Ghielmi
Aria detto balletto, F 3.26Girolamo Frescobaldi, Lorenzo Ghielmi
Canzon quarta, F 3.16Girolamo Frescobaldi, Lorenzo Ghielmi
Vox dilecti mei pulsantis, F 11.21.01: Prima pars - 2 canti e tenoreGirolamo Frescobaldi, Lorenzo Ghielmi
Quam pulchra es, F11.21.02: Seconda pars - 2 canti e tenoreGirolamo Frescobaldi, Lorenzo Ghielmi
Aria detta la Frescobalda, F3.32Girolamo Frescobaldi, Lorenzo Ghielmi
Toccata seconda, F 3.02Girolamo Frescobaldi, Lorenzo Ghielmi
Fantasia prima, F 6.01Girolamo Frescobaldi, Lorenzo Ghielmi
Toccata quarta per sonarsi alla levatione, F 3.04Girolamo Frescobaldi, Lorenzo Ghielmi
Toccata con il contrabbasso ovvero pedale, F 15.11 - (manoscritto di Torino)Girolamo Frescobaldi, Lorenzo Ghielmi