frank martin: ein totentanz zu basel im jahre 1943 - frank martin
Frank Martin: Ein Totentanz zu Basel im Jahre 1943
Frank Martin
2016
23 tracks
1 uur, 6 min
Album Description
Immerse yourself in the hauntingly beautiful world of Frank Martin's "Ein Totentanz zu Basel im Jahre 1943," a profound and evocative work that blends the macabre with the melodic. Composed during the tumultuous years of World War II, this chilling yet captivating piece is a testament to Martin's genius and his ability to capture the essence of human mortality and resilience.
Conducted masterfully by Bastiaan Blomhert, this album features the Sacramentskoor Breda and the ARMAB Orchestra, delivering a performance that is both haunting and uplifting. The 23-track album, released on June 20, 2016, under the CPO label, spans a duration of 1 hour and 6 minutes, offering a rich tapestry of musical expressions that range from somber marches to lively dances.
The album's title translates to "A Dance of Death in Basel in the Year 1943," reflecting Martin's unique vision of a professional dancer embodying Death, accompanied by a dozen pantomimes. Each track, from the ominous "1st March of the Drums" to the poignant "Death and the Beautiful Lady," paints a vivid picture of life, death, and the human condition. The diverse musical styles, including marches, bourrées, foxtrots, and other dances, create a dynamic and engaging listening experience.
Frank Martin's "Ein Totentanz zu Basel im Jahre 1943" is not just a collection of songs but a deeply moving exploration of life's fragility and the enduring power of art. Whether you're a fan of classical music or simply appreciate a well-crafted musical narrative, this album is sure to leave a lasting impression.
2016 CPO2016 CPO
Tracks
Ein Totentanz zu Basel im Jahre 1943: No. 1, 1st March of the DrumsFrank Martin, Edith Habraken, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 2, 2nd March of the DrumsFrank Martin, Edith Habraken, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 3, Der Grimmig TodtFrank Martin, Sacramentskoor Breda, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 4, Death and the Old ManFrank Martin, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 5, Death and the Mother with Her ChildFrank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 6, Das ewig LichtFrank Martin, Sacramentskoor Breda, Hineni String Orchestra, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 7, Death and the AthleteFrank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 8, Aus tiefer NotFrank Martin, Sacramentskoor Breda, Hineni String Orchestra, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 9, Death and the Rich ManFrank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 10, GaiementFrank Martin, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 11, BourréeFrank Martin, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 12, MarchFrank Martin, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 13, Death AloneFrank Martin, Ruben Tome, Geoffrey Douglas Madge, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 14, Death and the Young GirlFrank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 15, Es war ein wunderlicher KriegFrank Martin, Sacramentskoor Breda, Hineni String Orchestra, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 16a, Death and the SelfmurdererFrank Martin, Edith Habraken, Christine von Arx, Eduard Grass-Haas, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 16b, MarchFrank Martin, Edith Habraken, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 17, FoxtrottFrank Martin, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 18, Other DanceFrank Martin, Geoffrey Douglas Madge, Edith Habraken, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 19, MarchFrank Martin, Edith Habraken, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 20, Death and the Beautiful LadyFrank Martin, Edith Habraken, Christine von Arx, Eduard Grass-Haas, Geoffrey Douglas Madge, Hineni String Orchestra, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 21, Durch Adams FallFrank Martin, Sacramentskoor Breda, Hineni String Orchestra, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 22, RetraiteFrank Martin, Edith Habraken, Bastiaan Blomhert
Frank Martin, born in Geneva in 1890, was a Swiss composer whose musical legacy continues to resonate in concert halls worldwide. As the youngest of ten children, Martin's upbringing was deeply influenced by his father's role as an influential pastor. Throughout his life, he spent significant time in the Netherlands, where he honed his craft and created works that have stood the test of time. Martin's compositions are celebrated for their emotional depth and technical brilliance, making him a pivotal figure in 20th-century classical music. His music offers a journey through the human experience, evoking a range of emotions that connect with audiences on a profound level.
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Frank Martin
