Four Electronic Pieces 1959-1966

Album Description

Pauline Oliveros' 'Four Electronic Pieces 1959-1966' is a seminal collection of avant-garde compositions that showcase the artist's pioneering work in the realm of electronic music. Released on 1 December 2008 via Sub Rosa, this album is a treasure trove of experimental soundscapes that span over an hour, with a total duration of 1 hour and 11 minutes.

The tracklist features four distinctive pieces: 'Mnemonics III', 'V of IV', 'Time Perspectives', and 'Once again / Buchla piece', each exemplifying Oliveros' innovative approach to music. Characterised by genres such as drone, avant-garde, minimalism, ambient, and experimental, these compositions demonstrate the artist's boundless creativity and willingness to push the boundaries of sound.

Pauline Oliveros' work on 'Four Electronic Pieces 1959-1966' is a testament to her groundbreaking contribution to the world of electronic music. This album is an essential listening experience for those interested in the evolution of experimental sound and the visionary artists who have shaped the genre. With its rich textures and immersive atmospheres, 'Four Electronic Pieces 1959-1966' is a must-listen for anyone seeking to explore the uncharted territories of avant-garde music.

December 1, 2008

Sub Rosa

About Pauline Oliveros

Pauline Oliveros, a pioneering American composer and accordionist, stands as a titan in the realms of experimental and electronic music. Born in Houston, Texas, in 1932, Oliveros was a proud lesbian and feminist whose innovative spirit blazed trails through the avant-garde, drone, minimalism, and ambient genres. She was renowned for her groundbreaking mixed-media compositions in the 1960s, seamlessly blending diverse musical elements and technologies. Oliveros was not just a composer but also a lecturer, theorist, and writer, leaving an indelible mark with her influential 1984 text "Software for People." Her deep listening practice, designed to enhance performers' responsiveness to their environment, further cemented her legacy as a visionary in the music world. Oliveros's journey was one of continuous evolution, making her a true icon in the development of post-war experimental and electronic art music.