Experience the legendary Kirsten Flagstad in a collection of her most captivating songs and arias, meticulously compiled in "Kirsten Flagstad: Songs and Arias." This album, released by Naxos, offers a rare opportunity to delve into the extraordinary talent of one of the most renowned Wagnerian sopranos of her time.
Recorded with the Philadelphia Orchestra under the direction of Eugene Ormandy, this album features performances from 1937 and 1940, showcasing Flagstad's unparalleled vocal prowess and artistic brilliance. The tracklist spans a variety of compositions, including works by Grieg, Beethoven, Weber, and Wagner, providing a comprehensive overview of Flagstad's versatility and mastery.
The album begins with Grieg's "Haugtussa (the Mountain Maid)," a cycle of songs that highlight Flagstad's ability to convey deep emotion and narrative depth. Following this, the album includes arias from some of the most iconic operas, such as Beethoven's "Fidelio," Weber's "Oberon," and Wagner's "Lohengrin," "Die Walküre," and "Götterdämmerung." Each piece is performed with Flagstad's signature power and sensitivity, making this album a treasure trove for classical music enthusiasts.
With a duration of approximately 1 hour and 19 minutes, "Kirsten Flagstad: Songs and Arias" is a testament to the enduring legacy of Kirsten Flagstad. Whether you are a longtime admirer of her work or a newcomer to her artistry, this album offers a rich and rewarding listening experience.
Kirsten Malfrid Flagstad, born in Hamar, Norway, in 1895, was a towering figure in the world of opera, renowned as the preeminent Wagnerian soprano of her time. Her meteoric rise to fame included a legendary debut at the Metropolitan Opera in New York in 1935, where her powerful and emotive performances captivated audiences and critics alike. Giulio Gatti-Casazza, the esteemed General Manager of the Metropolitan Opera, hailed her as one of the greatest gifts to American opera, placing her alongside the legendary Enrico Caruso. Flagstad's journey to stardom was somewhat unconventional; she did not attempt her first Wagnerian role until she was 34, but her deep, resonant voice and dramatic prowess quickly established her as a leading interpreter of Wagner's heroines. Despite her initial reluctance to sing high notes, Flagstad's performances were marked by their emotional depth and technical mastery, making her a beloved figure in the opera world until her passing in 1962.
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