Eugen d'Albert's captivating album, 'Eugen D'Albert: Die Abreise', is a masterful creation that showcases the composer's exceptional skill in classical piano music. Released on 5 June 2012 by Profil, this 47-minute album is a testament to d'Albert's innovative and expressive approach to music.
The album is a beautifully crafted narrative, comprising 20 scenes that weave together to form a compelling story. From the poignant 'Prelude' to the dramatic finale, d'Albert's music takes the listener on a journey of emotions, exploring themes of love, longing, and betrayal. The scenes are intricately linked, with each character's voice and perspective adding depth and complexity to the narrative.
Throughout the album, d'Albert's classical piano compositions demonstrate his technical prowess and artistic vision. The music is both elegant and intense, with intricate melodies and harmonies that evoke a range of emotions. The characters of Gilfen, Trott, and Luise come alive through d'Albert's masterful storytelling, their interactions and relationships unfolding with each scene.
With 'Eugen D'Albert: Die Abreise', the composer invites the listener to immerse themselves in a world of beauty and drama, where music and narrative blend seamlessly together. This album is a must-listen for fans of classical piano music and those who appreciate the art of storytelling through sound. Eugen d'Albert's genius shines through in every note, making this album a true masterpiece of classical music.
2012 Profil2012 Profil
Tracks
Die Abreise: PreludeEugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene I: Sagt, reis' ich, oder nicht? (Gilfen)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene II: Wie, Freund! Du bist noch hier? (Trott, Gilfen)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene III: Sie eilen fort? — (Luise, Trott)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene IV: Wie, Freund, Du bist noch hier? (Gilfen, Trott, Luise)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene V: Er sieht mich, geht und schweight (Luise)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene VI: Ich horte singe (Gilfen, Luise)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene VII: Nun gut! Ich bleibe hier - Scene VIII: Da bin ich endlich (Gilfen, Trott)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene IX: Sie eilen fort? - Scene X: Nun gut! Ich bin so oft und gern allein geblieben (Trott, Luise)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene XI: Die abschiedsstunde naht (Gilfen, Luise)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene XII: Der kasten braucht vier Trager (Trott, Gilfen, Luise)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene XIII: Die Reihe ist an mir - Scene XIV: Hier flieht ein Mann (Trott, Luise)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene XV: Wie? Du bist wieder hier? (Trott, Gilfen, Luise)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene XVI: Schnell war ich wieder hier (Gilfen, Luise)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Die Abreise: Scene XVII: Der Wagen ist ganz - Scene XVIII: Hat sie hat er bin ich ist er ist sie betrogen? - Scene XIX: Bst! Bst! Wer ruft? - Scene XX: Nein, nein!Sie liebt mich noch (Trott, Gilfen, Luise)Eugen d'Albert, Lotte Schädle, Erwin Wohlfahrt, Willy Ferenz, Bavarian Radio Symphony Orchestra, Jan Koetsier
Eugen d'Albert, born in Glasgow in 1864 to an English mother and a German father with French roots, was a virtuoso pianist and prolific composer who left an indelible mark on the classical music world. His journey began in Scotland, but his musical prowess took him across Europe, ultimately leading to his passing in Riga in 1932. D'Albert's compositions, such as his ambitious Sonata in F sharp minor, Op. 10, dedicated to the renowned Hans von Bülow, showcase his intricate craftsmanship and deep musical insight. His opera "Tiefland" is another standout work, celebrated for its emotional depth and dramatic intensity. Whether exploring his piano sonatas or his operatic masterpieces, engaging with Eugen d'Albert's music is an immersive experience that reveals the genius of a true musical innovator.
Vinylscout
Eugen d'Albert
