"Embraced" is a captivating live album that captures the electrifying meeting of two jazz titans, Mary Lou Williams and Cecil Taylor, recorded in New York City on April 17, 1977. This musical journey through the history of jazz is a testament to the virtuosity and innovation of both artists, offering a unique blend of styles that range from bop and post-bop to stride and ragtime.
Mary Lou Williams, a pioneering figure in jazz piano, brings her signature blend of technical prowess and soulful expression to the forefront. Her playing is both intricate and accessible, showcasing her ability to navigate complex compositions with ease. Cecil Taylor, known for his avant-garde approach and explosive energy, complements Williams' playing with his own dynamic and free-form style.
The album opens with "The Lord Is Heavy (A Spiritual)," a powerful and introspective piece that sets the tone for the rest of the performance. Tracks like "Fandangle (Ragtime)" and "K.C. 12th Street (Kansas City Swing)" highlight the duo's ability to pay homage to the roots of jazz while infusing it with their own modern sensibilities. "Ayizan" and "Chorus Sud" showcase the more experimental side of their collaboration, with intricate rhythms and harmonies that push the boundaries of traditional jazz.
"Embraced" is a must-listen for any jazz enthusiast, offering a rare opportunity to experience the magic that happens when two legendary musicians come together. The album's 10 tracks, spanning a total of 1 hour and 19 minutes, provide a comprehensive look at the range and depth of Williams' and Taylor's musical genius. Recorded live, the energy and spontaneity of the performance are palpable, making it a truly unforgettable listening experience.
Mary Lou Williams, born in 1910, was a titan of jazz, renowned for her virtuosity as a pianist, composer, and arranger. Her career spanned over four decades, during which she wrote hundreds of compositions and arrangements, leaving an indelible mark on the genre. Williams began her journey in music at a young age, starting to arrange music in 1929, and by 1942, she was one of the most celebrated arrangers in the industry. Her work bridged the swing and bebop eras, earning her the moniker "The Lady Who Swings the Band." Beyond her musical prowess, Williams was also an educator and activist, embodying the rich complexities and joy of jazz. Her influence continues to be recognized and celebrated, solidifying her status as one of the greatest jazz pianists and composers of all time.
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