Elliott Carter

Dive into the intricate and avant-garde world of Elliott Carter with this compelling 1998 release. This album showcases the composer's masterful command of chamber music, featuring a diverse collection of works that highlight his unique compositional style. Spanning a rich duration of 1 hour and 7 minutes, the album is a testament to Carter's innovative approach to music, blending traditional and modern elements seamlessly.

The tracklist includes a variety of pieces, from the ethereal "To Music for Unaccompanied Mixed Choir" to the dynamic "The Defense of Corinth." Each composition offers a glimpse into Carter's prolific career, which includes his only opera, "What Next?," composed just a year prior to this album's release. The album's recording sessions, held at WFMT in Chicago, capture the essence of Carter's vision, with meticulous production by James Ginsburg and engineering by Bill Maylone.

This album is a celebration of Elliott Carter's genius, offering a comprehensive look at his contributions to the world of avant-garde and chamber music. Whether you're a seasoned fan or a newcomer to Carter's work, this collection is sure to captivate and inspire.

Elliott Carter, a titan of 20th-century American music, is renowned for his innovative and distinctive compositions that blend European modernism with American ultra-modernism. Born in New York in 1908, Carter's prolific career spanned over seven decades, during which he created a vast array of orchestral, chamber, solo instrumental, and vocal works. His music is celebrated for its intricate exploration of tempo relationships and texture, earning him a place among the most influential composers of his time. Carter's accolades include two Pulitzer Prizes for his string quartets, and his monumental orchestral work, 'Symphonia: sum fluxae pretium spei', stands as a testament to his enduring legacy. With a career that defied conventional boundaries, Carter's compositions continue to inspire and challenge musicians and audiences alike, securing his status as a leading figure in modernist music.