Eleven Ghosts

Album Description

Dive into the world of avant-garde jazz with Myra Melford's "Eleven Ghosts," a captivating album released in 1998 on the hatOLOGY label. This unique collaboration between pianist Myra Melford and percussionist Han Bennink offers a free-ranging duo program that pushes the boundaries of traditional jazz. With a duration of 48 minutes, the album features 11 tracks that seamlessly blend free jazz, avant-garde, and hard bop elements, creating a rich and dynamic listening experience.

"Eleven Ghosts" showcases the complementary skills of Melford and Bennink, with Melford's intricate piano compositions and Bennink's innovative percussion work coming together to form a cohesive and engaging sound. The album's tracklist includes standout pieces like "The First Mess," "How Long Blues," and "Three Ghosts," each offering a unique perspective on the duo's artistic vision.

Whether you're a seasoned jazz enthusiast or a curious newcomer, "Eleven Ghosts" is sure to captivate with its innovative approach to jazz. The album's blend of genres and the dynamic interplay between Melford and Bennink make it a standout release in the world of avant-garde jazz.

21 februari 1998

About Myra Melford

Myra Melford is a pioneering force in the world of avant-garde jazz, known for her distinctive approach to the piano that blends the percussive styles of legends like Duke Ellington and Cecil Taylor. Born in Glencoe, Illinois, in 1957, Melford's music is a testament to her exploratory spirit and multi-layered compositions. As a composer, improviser, and bandleader, she has led notable ensembles such as Snowy Egret and the Fire & Water Quintet, continually pushing the boundaries of jazz. Her work is not just about notes on a page; it's a physical and emotional journey that mirrors the energy and movement found in abstract art. Melford's influence extends beyond her performances; she is also a dedicated educator, serving as a professor of composition and improvisational practices at the University of California, Berkeley. Whether on stage or in the classroom, Myra Melford's creative vision is both wholly distinctive and all-embracing, making her a true innovator in the jazz world.