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Yizhak Sadai's "Electroacoustic Music," released on February 25, 1989, under the Music in Israel label, is a captivating exploration of sound and texture. This album spans a single, immersive 48-minute track, divided into three distinct movements: "Trial 19," "The Stones of Jerusalem: I. Gal-ed, Hill of Stone," "The Stones of Jerusalem: II. Mizbeach, Altar of Stone," and "The Stones of Jerusalem: III. Luchot ha'edut, Tables of Testimony." Sadai's work delves into the intricate interplay between electronic and acoustic elements, creating a rich and evocative soundscape. The album's title and track names suggest a thematic focus on Jerusalem and its historical significance, inviting the audience to explore the cultural and spiritual dimensions of the city through a modern, experimental lens. Sadai's innovative approach to composition and his mastery of electroacoustic techniques make this album a compelling listen for those interested in the convergence of tradition and innovation in music.