Step into the resplendent musical world of the Spanish Renaissance with Andrew Lawrence-King and The Harp Consort's "El arte de fantasía: Luis Venegas de Henestrosa." This captivating album, released in 2005, offers a meticulous recreation of the intricate Spanish "art of improvisation" as documented by Luis Venegas de Henestrosa in his seminal work, "Libro de cifra nueva" (1557). With a duration of 1 hour and 8 minutes, this album is a treasure trove of 27 tracks that span a rich tapestry of Spanish romances, French chansons, popular dances, and polyphonic fantasias.
Andrew Lawrence-King, renowned for his expertise in historical performance practice, leads The Harp Consort through a fascinating journey of the musical life at the court of Charles V. The album features a blend of improvisational pieces and composed works, showcasing the versatility and virtuosity of the ensemble. From the improvisational "Entrada" to the intricate "Fuga a 40 'Unum colle Deum'," each track is a testament to the artistic prowess of the performers and the richness of the repertoire.
The album's tracklist is a delightful mix of vocal and instrumental pieces, including "Canción del Emperador 'Mille regres'," "Romance: Diferencias sobre 'Conde Claros'," and "Diferencias sobre 'la Gallarda Milanesa'." The inclusion of plainchant, such as "Canto Ilano (Plainchant)," adds a layer of historical authenticity, while the improvisational pieces, like "Pavana con su glosa," demonstrate the ensemble's mastery of the art of improvisation.
"El arte de fantasía: Luis Venegas de Henestrosa" is a testament to the enduring beauty of Renaissance music and the skill of its interpreters. Whether you are a seasoned enthusiast of medieval and Celtic music or a curious explorer of historical sounds, this album promises an enriching and enjoyable experience. The album, released under the Harmonia Mundi label, is a must for anyone interested in the vibrant musical heritage of the Spanish Renaissance.
Andrew Lawrence-King, born in Guernsey, is a renowned harpist and conductor celebrated for his pioneering work in early music. With a career spanning decades, Lawrence-King is known for his innovative approach to historically informed performance, blending state-of-the-art early music techniques with captivating improvisation and engaging stage presence. As the director of The Harp Consort, he leads a group that seamlessly merges musical excellence with theatrical flair. Beyond his work with The Harp Consort, Lawrence-King also heads Il Corago, a team dedicated to the historical staging of early opera, and the International Baroque Opera Studio at Opera Omnia Moscow. His influence extends globally, having directed operas, oratorios, and chamber music at prestigious venues such as La Scala in Milan, the Sydney Opera House, and Casals Hall in Tokyo. Lawrence-King's discography is extensive, making him one of the most recorded harpists of all time. His performances are not just concerts but immersive experiences that transport audiences through time, offering a unique blend of historical authenticity and modern creativity.
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