Dive into the timeless elegance of jazz with Teddy Wilson's "Easy To Love," a captivating album released on June 11, 2021, under the Detour Ahead label. This 36-minute journey through the golden age of swing and big band music showcases Wilson's mastery as a pianist and his impeccable style that has defined the genre.
The album features a collection of classic tunes, including the title track "Easy to Love," a Cole Porter composition first recorded in 1936, as well as other timeless pieces like "I've Found a New Baby," "Ain't Misbehavin'," and "Honeysuckle Rose." Teddy Wilson's smooth and steady piano playing is complemented by the rich, swinging rhythms of the big band, creating an atmosphere that is both sophisticated and inviting.
"Easy To Love" is not just a showcase of Teddy Wilson's technical prowess but also a testament to his ability to connect with audiences through his music. The album's tracks are a blend of well-known standards and lesser-known gems, each performed with a unique flair that highlights Wilson's versatility and artistry.
Whether you're a longtime fan of jazz or a newcomer to the genre, "Easy To Love" offers a delightful exploration of the music that has captivated listeners for generations. Teddy Wilson's distinctive style and the album's rich, swinging sound make it a must-listen for anyone who appreciates the beauty and complexity of jazz.
Teddy Wilson, born Theodore Shaw Wilson, was a pioneering American jazz pianist whose elegant and virtuosic style made him a cornerstone of the swing era. Known as "the definitive swing pianist" by critic Scott Yanow, Wilson's playing was smooth, steady, and highly accessible, blending influences from Earl Hines and Art Tatum. His career spanned over five decades, during which he collaborated with jazz legends such as Louis Armstrong, Billie Holiday, and Ella Fitzgerald. Notably, Wilson was one of the first black musicians to perform prominently with white musicians, notably with Benny Goodman's orchestra. Beyond his sideman work, Wilson led his own groups and recording sessions, leaving an indelible mark on the world of jazz. His contributions earned him the title of NEA Jazz Master in 1986, cementing his legacy as one of the finest pianists of the swing era.
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