Early Modern

Album Description

Dive into the world of jazz with Milt Jackson's "Early Modern," a timeless collection that showcases the vibraphonist's mastery and versatility. Released in 1999, this album is a testament to Jackson's enduring legacy in the jazz genre, blending elements of hard bop, bebop, cool jazz, and jazz blues into a seamless and captivating experience.

"Early Modern" features 23 tracks, spanning a total of 72 minutes, each one a testament to Jackson's skill and innovation. From the tender ballad "Softly, As In A Morning Sunrise" to the upbeat energy of "Bluesology," the album offers a diverse range of moods and styles. Standout tracks like "Heart And Soul" and "You Go To My Head" highlight Jackson's ability to infuse classic tunes with his unique vibraphone sound, while tracks like "Milt Meets Sid" and "Blues Mood" showcase his improvisational genius.

Milt Jackson, known affectionately as "Bags," was a pioneer in the jazz world, and "Early Modern" is a fitting tribute to his contributions. The album is a must-listen for jazz enthusiasts and newcomers alike, offering a rich tapestry of sounds that reflect Jackson's influence and innovation. Whether you're a fan of cool jazz, bebop, or hard bop, "Early Modern" is sure to delight and inspire.

1 januari 1999

This Compilation ℗ 1999 Savoy Records, a division of Concord Music Group, Inc.

About Milt Jackson

Milt Jackson, affectionately nicknamed "Bags," was a pioneering force in jazz, renowned for his virtuosic skills on the vibraphone and his ability to blend various styles seamlessly. Born in Detroit, Michigan, Jackson's career spanned over five decades, during which he collaborated with some of the most influential figures in jazz, including Dizzy Gillespie, Thelonious Monk, Miles Davis, and John Coltrane. His work with the Modern Jazz Quartet, which he co-founded, is particularly celebrated for its cool, swinging solos and innovative compositions. Jackson's versatility allowed him to excel in hard bop, bebop, cool jazz, and jazz blues, making him a true master of the genre. His legacy as a NEA Jazz Master and a pioneer of bebop continues to inspire musicians and fans alike, cementing his place as one of the most celebrated vibraphonists in jazz history.