Dvorak: Requiem - Brahms: 4 Ernste Gesänge is a captivating album that showcases the mastery of two renowned composers. Released on 1 January 2006 by Profil, this exquisite collection of choral works is a must-listen for fans of the requiem and choral genres.
The album features Antonín Dvorak's Requiem, Op. 89, B. 165, a monumental work that explores the depths of human emotion. From the haunting 'Requiem aeternam' to the dramatic 'Dies irae', Dvorak's composition is a testament to his skill in crafting powerful, evocative music. The work is complemented by Johannes Brahms' 4 Ernste Gesänge, Op. 121, a collection of four solemn songs that showcase the composer's ability to convey profound emotion through music.
With a duration of 1 hour and 51 minutes, this album is a substantial and rewarding listen. The combination of Dvorak's Requiem and Brahms' 4 Ernste Gesänge creates a rich and varied soundscape that will appeal to fans of classical music. Unfortunately, the artist name is not specified, however, the album Dvorak: Requiem - Brahms: 4 Ernste Gesänge is a notable release in the classical music genre.
2006 Profil2006 Profil
Tracks
Requiem, Op. 89, B. 165: Requiem aeternam (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
Requiem, Op. 89, B. 165: Graduale (Soprano, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
Requiem, Op. 89, B. 165: Dies irae (Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
Requiem, Op. 89, B. 165: Tuba mirum (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
Requiem, Op. 89, B. 165: Quid sum miser (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
Requiem, Op. 89, B. 165: Recordare, Jesu pie (Soli)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
Requiem, Op. 89, B. 165: Confutatis maledictis (Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
Requiem, Op. 89, B. 165: Lacrimosa (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
Requiem, Op. 89, B. 165: Offertorium (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
Requiem, Op. 89, B. 165: Hostias (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
Requiem, Op. 89, B. 165: Sanctus (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
Requiem, Op. 89, B. 165: Pie Jesu (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
Requiem, Op. 89, B. 165: Agnus Dei (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
4 Ernste Gesänge, Op. 121: No. 1, Denn es gehet dem MenschenJohannes Brahms, Klaus Mertens, Capella Weilburgensis, Doris Hagel
4 Ernste Gesänge, Op. 121: No. 2, Ich wandte michJohannes Brahms, Klaus Mertens, Capella Weilburgensis, Doris Hagel
4 Ernste Gesänge, Op. 121: No. 3, O Tod, wie bitter bist duJohannes Brahms, Klaus Mertens, Capella Weilburgensis, Doris Hagel
4 Ernste Gesänge, Op. 121: No. 4, Wenn ich mit Menschen und EngelszungenJohannes Brahms, Klaus Mertens, Capella Weilburgensis, Doris Hagel
Klaus Mertens, born in 1949 in Kleve, Germany, is a renowned bass and bass-baritone singer celebrated for his profound interpretations of Baroque music, particularly the works of Johann Sebastian Bach. Mertens is the only vocalist to have recorded the complete Bach cantatas, a monumental achievement accomplished with the Amsterdam Baroque Orchestra and Choir under the direction of Ton Koopman. His extensive discography, nearing 100 recordings, showcases his mastery of the Baroque oratorio and concert repertoire, as well as his versatility in Classical and Romantic music. Mertens' rich and expressive voice, coupled with his deep musical insight, makes him a sought-after performer in the world of classical vocal music. Beyond his musical prowess, Mertens' journey began with early singing lessons during his school years, followed by studies in music and pedagogy, laying a strong foundation for his illustrious career.
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Klaus Mertens
