Immerse yourself in the captivating world of Indian classical music with "Divinity at Dawn" by the renowned Pandit Shivkumar Sharma. This album, recorded live at the ICA in London in July 1993 and released in 2005, is a testament to Sharma's mastery of the santoor, a traditional Indian instrument.
"Divinity at Dawn" features a single raga, Bairagi, explored in seven distinct movements. The album begins with an introduction and an alap, a slow, improvisational piece that sets the mood. It then progresses through jor and jhala, faster and more intricate developments of the raga. The final three tracks are drut gats, or fast compositions, each set to a different taal, or rhythmic cycle.
Sharma's virtuosity is on full display as he navigates the complex rhythms and melodies of Raga Bairagi. His playing is precise yet fluid, demonstrating a deep understanding of the raga's nuances. The album's duration of just over an hour allows for a comprehensive exploration of the raga, making it a valuable resource for both casual listeners and serious students of Indian classical music.
The album was released under the Navras Records label and has been praised for its authenticity and artistic merit. It's a must-listen for anyone interested in Indian classical music or looking to expand their musical horizons.
Shivkumar Sharma, the virtuoso Indian classical musician and santoor player, revolutionized Indian music by adapting the santoor for classical compositions. Born on January 13, 1938, in Jammu, India, Sharma began his musical journey as a singer and tabla player, performing on local radio by the age of 12. His innovative spirit and mastery of the santoor earned him global acclaim, with a Spotify following of 48.9K monthly listeners. Collaborating with flautist Hariprasad Chaurasia as the duo Shiv-Hari, Sharma composed enchanting scores for iconic films like "Faasle," "Chandni," and "Lamhe." Until his passing on May 10, 2022, Sharma remained a beloved figure in Indian music, celebrated for his instrumental prowess and enduring contributions to the art form.
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