René Urtreger's "Didi's Bounce" is a vibrant journey into the world of French jazz, released in 1970 under the Saravah label. This album is a testament to Urtreger's mastery of the genre, blending hard bop influences with a distinctly French touch. The eight-track collection, spanning a concise 38 minutes, showcases Urtreger's exceptional piano skills alongside a stellar lineup of musicians, including Gilbert Rovere, Mimi Lorenzini, and Jean-Louis Viale.
The album opens with the energetic title track, "Didi's Bounce," setting the tone for the rest of the record. Fans of classic jazz will appreciate the inclusion of standards like "Round Midnight" and "Yesterday," reimagined through Urtreger's unique lens. The album also features original compositions such as "Pour Tonton Monk" and "Tchac Poum Poum," offering a glimpse into Urtreger's creative process and his ability to push the boundaries of traditional jazz.
"Didi's Bounce" is a must-listen for any jazz enthusiast, offering a blend of familiar tunes and innovative compositions that highlight René Urtreger's virtuosity and his significant contribution to the French jazz scene.
René Urtreger, born in Paris in 1934, is a legendary French bebop pianist whose career spans over six decades, making him a living legend in the jazz world. Beginning his piano studies at the tender age of four, Urtreger's journey into jazz started in the vibrant Parisian clubs of the 1950s. His break came in 1952 when he stepped in for a pianist in Sacha Distel's orchestra, launching his professional career.
Urtreger's playing is marked by a deep understanding of bebop conventions, delivering a steady flow of ideas with impeccable swing and clean improvisations. His influence and collaborations are extensive, having worked with jazz greats such as Miles Davis, Lester Young, Chet Baker, and Stan Getz, among many others. His discography is rich and varied, reflecting his mastery of the genre and his enduring passion for jazz.
Beyond his musical prowess, Urtreger's life story is one of resilience and dedication. Having fled the horrors of World War II with his family, he returned to a liberated Paris, immersing himself in the city's swinging bebop scene. His contributions to jazz are not just musical; they are a testament to his enduring spirit and love for the art form.
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