"Der König von Honolulu" is the 2009 album from German singer-songwriter Hans-Eckardt Wenzel, released under the moniker Wenzel. This 13-track collection, spanning 57 minutes, is a vibrant display of Wenzel's unique blend of singer-songwriter styles, showcasing his versatility and wit.
The album opens with "Unterwürfiger Schlager," a track that sets the tone for the eclectic journey ahead. Wenzel's compositions are as diverse as they are engaging, with songs like "Als wir kamen von Kentucky" and "Sibirische Liebe" offering a mix of storytelling and melody. The titular track, "König von Honolulu," is a standout, reflecting Wenzel's knack for crafting memorable, catchy tunes.
Wenzel's musical prowess shines through his multi-instrumental skills, playing everything from accordion and piano to guitar and keys. The album also features the steady drumming of Stefan Dohanetz, adding a dynamic layer to the sound.
"Der König von Honolulu" marks a significant point in Wenzel's career, as it introduces songs from his extensive repertoire of "Trivialkunst" (trivial art), originally performed at his annual harbor concerts. Each track is a testament to Wenzel's songwriting ability, with all texts and compositions credited to him.
From the playful "Arschgeweih" to the reflective "Ohne Dich," the album covers a wide emotional and thematic range. It's a collection that invites repeated listens, revealing new layers and nuances with each playthrough. Whether you're a longtime fan or new to Wenzel's work, "Der König von Honolulu" offers a rich, engaging musical experience.