Michael Gordon's 'Decasia' is a monumental and thought-provoking album that explores the concept of decay in all its forms. This large-scale, single-movement work is a soundtrack to Bill Morrison's film of the same name, which premiered at the 2002 Sundance, Rotterdam, and Edinburgh Film Festivals. Composed as an environmental symphony, 'Decasia' is a relentlessly driving piece that delves into the decay of melody, tuning, and classical music itself.
Originally commissioned by the Basel Sinfonietta for European Music Month in 2001, 'Decasia' has been performed to critical acclaim, with conductor Kasper de Roo leading the orchestra. The album, released in 2011 on Cantaloupe Music, features six parts, each contributing to the overall sense of deterioration and transformation.
Through his minimalist and avant-garde approach, Michael Gordon creates a soundscape that is both haunting and mesmerising. The music is a reflection on the passage of time and the erosion of traditional forms, making 'Decasia' a deeply unsettling yet fascinating listen. With its duration of 1 hour and 2 minutes, this album is an immersive experience that will leave a lasting impression on anyone who engages with it. 'Decasia' is a testament to Michael Gordon's innovative spirit and his ability to push the boundaries of classical music.
Michael Gordon is a prominent American composer renowned for his innovative and powerful contributions to the avant-garde music scene. With a career spanning several decades, Gordon is celebrated for his unique blend of dissonance, minimalism, and popular culture, creating a sound that embodies the intensity of punk rock, the brilliance of free jazz, and the rigor of classical modernism. As a co-founder of the Bang on a Can music collective and festival, he has been instrumental in fostering a community of experimental musicians. Gordon's collaborations with esteemed artists such as filmmaker Bill Morrison, the Kronos Quartet, and choreographer Pina Bausch have further expanded his artistic reach. His compositions, often commissioned by prestigious venues like Carnegie Hall and Caramoor, are known for their rhythmic invention and emotional depth, making him a staple of New York City's avant-garde music landscape.
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