Dive into the profound and sacred with Martha Angelici's "De Lalande: De profundis - Lully: Dies irae," a captivating exploration of Baroque vocal mastery. Released in 1962 under the BNF Collection label, this album is a testament to Angelici's extraordinary vocal prowess and her deep understanding of the sacred music of the Baroque era.
The album features two significant works: Michel-Richard Delalande's "De profundis" and Jean-Baptiste Lully's "Dies irae." Delalande's "De profundis" is a deeply moving setting of Psalm 130, showcasing Angelici's ability to convey both despair and hope through her powerful and nuanced vocals. The work is structured in a series of recitatives and choral movements, each one building upon the last to create a sense of spiritual journeying.
Lully's "Dies irae" is a dramatic and intense setting of the Latin text describing the Day of Judgment. Angelici's performance is nothing short of breathtaking, as she navigates the complex and demanding vocal lines with ease and precision. The work is scored for two choirs and orchestra, adding a sense of grandeur and spectacle to the already powerful text.
The album is a stunning display of Angelici's vocal skills, as well as her ability to interpret and bring to life the sacred texts of the Baroque era. The performances are accompanied by a talented ensemble of singers and instrumentalists, who provide a rich and vibrant backdrop to Angelici's soaring vocals. The recording quality is excellent, with a warm and natural sound that brings the performances to life.
Whether you're a fan of Baroque music, sacred choral works, or simply appreciate the power of the human voice, this album is sure to captivate and inspire. Martha Angelici's "De Lalande: De profundis - Lully: Dies irae" is a true gem of the Baroque vocal repertoire, and a testament to the enduring power of sacred music.
Martha Angelici, born in the picturesque village of Cargèse, Corsica, was a captivating French operatic soprano renowned for her mastery of the French lyric repertoire. Her journey began at a young age when she moved with her family to Belgium, where she honed her vocal skills under the tutelage of Alfred Mahy in Brussels. Angelici's career took flight in the 1930s, captivating audiences across Belgium, the Netherlands, and Luxembourg with her radiant performances on radio. Her operatic debut in 1936 as Mimì in Marseille marked the start of a distinguished stage career that spanned decades. Angelici's discography is a treasure trove of beloved arias, showcasing her lyrical soprano voice and emotional depth. From the tender melodies of Gounod's "Mireille" to the passionate scenes of Bizet's "Carmen," her recordings offer a glimpse into the golden age of opera. Angelici's legacy endures, inspiring opera enthusiasts and vocalists alike with her exquisite artistry and commitment to the French operatic tradition.
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