De La Vihuela Da Mano à la guitare

Immerse yourself in the enchanting world of Renaissance polyphony with Josquin des Prez's "De La Vihuela Da Mano à la guitare." This exquisite collection, released on October 30, 2024, under the Vincent Airault label, offers a captivating journey through the sacred and secular music of the late 15th and early 16th centuries. Spanning just 35 minutes, this album is a concise yet profound exploration of Josquin des Prez's masterful compositions, seamlessly blending medieval, choral, classical, and Gregorian chant elements.

The album features 12 meticulously crafted tracks, each a testament to Josquin des Prez's unparalleled skill in vocal composition. From the serene "Kyrie I Missa De Beata Virgine" to the intricate "Missa Faysant Regretz," every piece showcases the rich harmonies and intricate polyphony that define Josquin des Prez's style. The inclusion of works like "Missa Hercules Dux ferrariæ" and "Missa Sine Nomine" highlights the composer's versatility and innovation, making this album a treasure trove for both classical music enthusiasts and those new to the genre.

"De La Vihuela Da Mano à la guitare" is not just a collection of songs; it's an experience that transports you to the heart of the Renaissance, where the boundaries between sacred and secular music blur, and the human voice reigns supreme. The collaboration with contemporary artists like Vincent Airault and Alonso Mudarra adds a layer of modernity, making these timeless compositions resonate with a fresh and contemporary appeal. Whether you're a seasoned fan of Josquin des Prez or a curious explorer of classical music, this album promises an enriching and unforgettable listening experience.

Josquin des Prez, born circa 1450, stands as one of the most celebrated composers of the High Renaissance, renowned for his profound influence on 16th-century European music. Hailing from what is now considered the Franco-Flemish region, Josquin's compositions are a testament to his mastery of polyphony, where multiple independent voices weave together in intricate, expressive movements. His work is characterized by a deep connection between text and music, moving away from lengthy melismatic lines to shorter, repeated motifs that enhance the emotional impact of his vocal pieces.

Josquin's repertoire spans masses, motets, and secular chansons, each piece reflecting his innovative approach to harmony and counterpoint. Often hailed as the "Beethoven of the Renaissance," his style set the standard for vocal music of his time, earning him the title of "master of the notes" from none other than Martin Luther. Whether you're exploring his sacred works or his secular compositions, engaging with Josquin des Prez's music is an immersive journey into the heart of Renaissance polyphony, where every note tells a story.