George Shearing, the legendary jazz pianist and composer, invites you to immerse yourself in the timeless elegance of "Days of Wine and Roses." Released on August 18, 2021, under the Golden Ear Music label, this album is a masterful blend of cool jazz, jazz, and vocal jazz, encapsulating the essence of Shearing's distinctive style. With a runtime of just 27 minutes, this concise yet impactful collection features 11 tracks, including the enchanting title track "Days of Wine and Roses," as well as other classics like "The Girl from Ipanema," "People," and "What Kind of Fool Am I?"
Shearing's virtuosity shines through in each piece, showcasing his unparalleled ability to weave intricate melodies and harmonies. The album opens with "Call Me Irresponsible," setting the tone for a journey through a repertoire of beloved standards and original compositions. The collaboration with his quintet and string choir adds a rich, textural depth to the music, creating an atmosphere of sophistication and warmth.
"Days of Wine and Roses" is not just an album; it's a testament to George Shearing's enduring legacy in the world of jazz. Whether you're a longtime fan or new to his music, this album offers a captivating exploration of his artistry, making it a valuable addition to any jazz enthusiast's collection.
George Shearing, the renowned British-American jazz pianist, captivated audiences worldwide with his inventive and melodic style. Born blind in Battersea, London, in 1919, Shearing overcame significant obstacles to become one of the most popular jazz musicians of the 20th century. His career spanned decades, from the 1930s through the 2010s, during which he led a highly acclaimed jazz combo and composed over 300 pieces, including the timeless classic "Lullaby of Birdland." Shearing's talent extended beyond the piano; he was also a gifted arranger and composer, known for his orchestrated jazz and romantic solos. His international reputation was cemented through performances on both the concert stage and in intimate jazz clubs, making him a beloved figure in the jazz community until his passing in 2011.
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