Immerse yourself in the enchanting world of Agostino Steffani with his captivating album "Crudo amor," released on February 3, 2017, under the Winter and Winter label. This exquisite collection spans 57 minutes of timeless compositions, showcasing Steffani's mastery and the rich tapestry of his musical genius.
The album is a journey through a variety of pieces, each telling its own story. From the tender and melancholic "Begl'occhi, oh Dio, non più" to the passionate and dramatic "Crudo amor, morir mi sento," Steffani's work is a testament to the depth and breadth of his artistic vision. The inclusion of instrumental pieces like the "Toccata No. 3" and the "Passacaglia" from "Varii scherzi di sonate per la chitara spagnola" adds a dynamic layer to the album, highlighting Steffani's versatility.
Steffani's compositions are known for their intricate melodies and harmonies, and "Crudo amor" is no exception. The album is a beautiful blend of vocal and instrumental works, each piece meticulously crafted to evoke a range of emotions. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience.
"Crudo amor" is not just a collection of songs; it's a window into the soul of Agostino Steffani, revealing his profound understanding of human emotion and his ability to translate it into music. Dive into this album and let the timeless beauty of Steffani's compositions transport you to a world of elegance, passion, and musical brilliance.
2016 Winter and Winter2016 Winter and Winter
Tracks
Begl'occhi, oh Dio, non più: No. 1, Begl'occhi, oh Dio, non piùAgostino Steffani, Eugenia Boix, Carlos Mena, Forma Antiqva, Aarón Zapico
Begl'occhi, oh Dio, non più: No. 2, Clori mia, s'il cor t'ingombraAgostino Steffani, Carlos Mena, Forma Antiqva, Aarón Zapico
Begl'occhi, oh Dio, non più: No. 3, Se la tua gelosiaAgostino Steffani, Eugenia Boix, Forma Antiqva, Aarón Zapico
Begl'occhi, oh Dio, non più: No. 4, Clori mia, deh, ferma alquantoAgostino Steffani, Eugenia Boix, Carlos Mena, Forma Antiqva, Aarón Zapico
Occhi, perchè piangeteAgostino Steffani, Eugenia Boix, Carlos Mena, Forma Antiqva, Aarón Zapico
Libro terzo d'intavolatura di chitarone: Toccata No. 3Giovanni Girolamo Kapsberger, Daniel Zapico
Dimmi, Cupido, e quando mai: No. 1, Dimmi, Cupido, e quando maiAgostino Steffani, Carlos Mena, Forma Antiqva, Aarón Zapico
Dimmi, Cupido, e quando mai: No. 2, Son erede dei tormantiAgostino Steffani, Eugenia Boix, Carlos Mena, Forma Antiqva, Aarón Zapico
Dimmi, Cupido, e quando mai: No. 3, Ah, che quei piedi, oh DioAgostino Steffani, Eugenia Boix, Forma Antiqva, Aarón Zapico
Dimmi, Cupido, e quando mai: No. 4, Non bastava al Dio d'amoreAgostino Steffani, Eugenia Boix, Carlos Mena, Forma Antiqva, Aarón Zapico
Musicalischer Parnassus, Suite No. 9 "Uranie": IX. PassacagliaJohann Caspar Ferdinand Fischer, Aarón Zapico
Crudo amor, morir mi sento: No. 1, Crudo amor, morir mi sentoAgostino Steffani, Eugenia Boix, Carlos Mena, Forma Antiqva, Aarón Zapico
Crudo amor, morir mi sento: No. 2, Come nel mar d'amoreAgostino Steffani, Eugenia Boix, Carlos Mena, Forma Antiqva, Aarón Zapico
Crudo amor, morir mi sento: No. 3, La stella ch'a me splendeAgostino Steffani, Eugenia Boix, Carlos Mena, Forma Antiqva, Aarón Zapico
Crudo amor, morir mi sento: No. 4, E la speme un falso beneAgostino Steffani, Eugenia Boix, Carlos Mena, Forma Antiqva, Aarón Zapico
Placidissime cateneAgostino Steffani, Eugenia Boix, Carlos Mena, Forma Antiqva, Aarón Zapico
Varii scherzi di sonate per la chitara spagnola: PassacagliaFrancesco Corbetta, Pablo Zapico
Sol negl'occhi del mio bene: No. 1, Sol negl'occhi del mio beneAgostino Steffani, Eugenia Boix, Carlos Mena, Forma Antiqva, Aarón Zapico
Sol negl'occhi del mio bene: No. 2, Filli crudele, oh Dio!Agostino Steffani, Eugenia Boix, Forma Antiqva, Aarón Zapico
Sol negl'occhi del mio bene: No. 3, Ma, se nel tuo bel visoAgostino Steffani, Carlos Mena, Forma Antiqva, Aarón Zapico
Sol negl'occhi del mio bene: No. 4, Chi vedesse la beltàAgostino Steffani, Eugenia Boix, Carlos Mena, Forma Antiqva, Aarón Zapico