Charles K. Noyes presents a bold and innovative exploration of guitar music with "Crimes in High Places, Pt. 1," a captivating journey into the avant-garde and free jazz realms. Released on September 25, 2020, via Zoar Records, this album is a testament to Noyes' unique vision and technical prowess. Comprising nine expansive tracks that span over an hour and eleven minutes, this album is not for the faint-hearted. Noyes employs an array of instruments, including electric and resonator guitars, as well as the amplified guqin, to create a sonic landscape that pushes the boundaries of traditional guitar music. Drawing inspiration from the innovations of Derek Bailey, Noyes forges his own path, crafting a personal guitar language for the 21st century. From the unsettling atmospheres of "Unsportsmanlike Conduct" to the haunting melodies of "Tear-Stained Sleeve," each track offers a unique perspective on the possibilities of the guitar. Whether you're a seasoned jazz enthusiast or a curious newcomer, "Crimes in High Places, Pt. 1" promises an engaging and thought-provoking listening experience.
Charles K. Noyes is a pioneering percussionist and improvisational musician, renowned for his innovative approach to sound and rhythm. Hailing from Shohola, Pennsylvania, Noyes has been a staple in the avant-garde and free jazz scenes since his debut in 1977. His discography, spanning over four decades, includes seminal works like "Devil Trap" and "The World And The Raw People," each offering a unique blend of free improvisation and fusion gugak. Noyes' collaborations are as diverse as they are impressive, having worked with legendary musicians such as John Zorn, Henry Kaiser, and Sonny Sharrock. His performances range from solo guitar improvisations to complex ensemble work, showcasing his versatility and mastery of percussion, electronics, and even saxophone. Whether recording in his Connecticut home or performing on international stages, Noyes continues to push the boundaries of experimental music, making him a true innovator in the world of avant-garde sound.
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