Clube Da Esquina

Album Description

Milton Nascimento and Lô Borges' seminal double album, Clube Da Esquina, is a landmark recording in the history of Brazilian music. Released on 3 January 1972, this iconic album is a testament to the innovative spirit of the Clube da Esquina movement, a collective of musicians, composers, and lyricists from Minas Gerais. Characterised by its inovative sound, the album features arrangements by the renowned Eumir Deodato and Wagner Tiso, with conductions by Paulo Moura.

This influential album is a collaborative effort, bringing together some of the most talented musicians of the time, including Toninho Horta, Beto Guedes, and Márcio Borges. The result is a rich and diverse soundscape, blending elements of MPB, bossa nova, and Brazilian jazz to create a truly unique listening experience.

With a duration of 1 hour and 4 minutes, Clube Da Esquina takes the listener on a journey through 17 tracks, including the standout songs "Tudo O Que Você Podia Ser", "O Trem Azul", and "Nada Será Como Antes". This album is a must-listen for fans of Brazilian music and a testament to the creative genius of Milton Nascimento and Lô Borges. Released on the Universal Music Ltda. label, Clube Da Esquina is an essential addition to any music collection, offering a glimpse into the vibrant musical landscape of 1970s Brazil.

January 3, 1972

℗ 1972 EMI Records Brasil Ltda

About Milton Nascimento

Milton Nascimento, born Milton Silva Campos do Nascimento in Rio de Janeiro, is a legendary Brazilian singer, songwriter, and multi-instrumentalist celebrated globally for his profound influence on Brazilian music. Raised in Três Pontas, Nascimento's journey to stardom began with his iconic composition "Travessia," co-written with Fernando Brant, which secured second place at the 1967 International Song Festival. His music, blending MPB, bossa nova, and Brazilian jazz, has captivated audiences worldwide. With a career spanning decades, Milton Nascimento continues to inspire with his timeless classics like "Canção da América," "Maria, Maria," and "Coração de Estudante," making him a true icon of Brazilian music.