Charpentier: Missa Assumpta est Maria

Immerse yourself in the grandeur of the French Baroque with Marc-Antoine Charpentier's "Missa Assumpta est Maria," a monumental work that stands as the pinnacle of his sacred compositions. This album, released on February 28, 2025, under the prestigious Château de Versailles Spectacles label, offers a comprehensive exploration of Charpentier's final and most intricate mass, composed around 1669.

Spanning 66 minutes, the album features 35 tracks that delve into the rich tapestry of Charpentier's musical genius. The "Missa Assumpta est Maria" is renowned for its complexity, requiring a small choir of soloists, a large five-voice choir, and a grand orchestral accompaniment. This recording, conducted by Hervé Niquet, brings to life the ceremonial splendor and deep spiritual resonance of Charpentier's masterpiece.

In addition to the mass, the album includes a variety of other sacred works by Charpentier, such as the "Concert pour quatre parties de violes," the motet "O salutaris hostia," and the "Motet pour une longue offrande." Each piece showcases Charpentier's mastery of counterpoint, harmony, and orchestration, providing a comprehensive overview of his contributions to Baroque music.

The album is a testament to Charpentier's ability to blend sacred text with profound musical expression, resulting in a work that is both intellectually stimulating and spiritually uplifting. Whether you are a seasoned enthusiast of Baroque music or a newcomer to the genre, this album offers a rich and rewarding listening experience.

Marc-Antoine Charpentier, a prolific and versatile French composer of the Baroque era, left an indelible mark on the musical landscape of the 17th century. Born in Paris during the reign of Louis XIV, Charpentier's work is celebrated for its rich polyphony and emotional depth. One of his most enduring compositions is the stirring theme from the prelude of his Te Deum H.146, known as the "Marche en rondeau," which continues to captivate audiences today, notably as the iconic fanfare for the Eurovision Network and the European Broadcasting Union. Charpentier's journey took him to Rome, where he absorbed Italian musical influences, making him unique among his French contemporaries. His oratorios and choral works, such as the "Third Lesson of Darkness of Holy Wednesday," showcase his mastery of vocal composition and his ability to evoke profound spiritual experiences. Charpentier's legacy endures as one of the most important figures in French Baroque music, inspiring generations of composers and musicians.