Immerse yourself in the sacred and dramatic world of Marc-Antoine Charpentier with this exquisite collection of his "Histoires sacrées." This double album, released by harmonia mundi, showcases the unique genius of Charpentier, the only composer of the Grand Siècle to have excelled so remarkably in the genre of sacred histories. Comprising over 65 tracks and spanning nearly three hours, this album is a testament to Charpentier's mastery and his deep spiritual and musical connection to the Latin texts he set to music.
Recorded in 2016 at the MC2: Grenoble and the Maison de la Culture, Amiens, this album features the meticulous work of Sébastien Daucé and the Ensemble Correspondances. The performances are understated yet powerful, reflecting Charpentier's subtle and edifying style. The album includes some of Charpentier's most rare and beautifully crafted works, such as "Cæcilia, virgo et martyr," "Judith, sive Bethulia liberata," and "Mors Saülis et Jonathæ," each piece a profound exploration of faith, martyrdom, and divine intervention.
Charpentier's "Histoires sacrées" are not just musical compositions but spiritual journeys intended to edify and inspire. The Latin texts, chosen for their resonance with the faithful, are brought to life through Charpentier's intricate and evocative compositions. This album is a rare opportunity to experience the depth and beauty of Charpentier's sacred music, performed with the utmost care and reverence by some of today's most esteemed musicians. Whether you are a longtime admirer of Charpentier or new to his work, this collection is an essential addition to any music lover's library.
2019 harmonia mundi2019 harmonia mundi
Tracks
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia)Marc-Antoine Charpentier, Judith Fa, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Nullus audit, nullus videt (Valerianus, Cæcilia) - Et aquis lustratibus (Chorus fidelium)Marc-Antoine Charpentier, Etienne Bazola, Judith Fa, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Acceptis autem ab Angelo flosculis (Historicus, Cæcilia, Valerianus, Tiburtius)Marc-Antoine Charpentier, Davy Cornillot, Judith Fa, Etienne Bazola, Stephen Collardelle, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: O Christi fidem profitentium (Tutti)Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: PræludiumMarc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Cum autem Valeriani et Tiburtii (Historicus, Almachius, Cæcilia)Marc-Antoine Charpentier, Davy Cornillot, Nicolas Brooymans, Judith Fa, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Ecce, ecce mihi Jesu (Cæcilia)Marc-Antoine Charpentier, Judith Fa, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Heu, heu, nos dolentes (Chorus fidelium, Angeli)Marc-Antoine Charpentier, Caroline Weynants, Violaine Le Chenadec, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Cur ploratis fideles (Angeli, Chorus fidelium)Marc-Antoine Charpentier, Caroline Weynants, Violaine Le Chenadec, Ensemble Correspondances, Sébastien Daucé
Cæcilia, virgo et martyr octo vocibus, H. 397, Secunda pars: Guay - Nolite flere fideles (Angeli, Chorus fidelium, tutti)Marc-Antoine Charpentier, Caroline Weynants, Violaine Le Chenadec, Caroline Arnaud, Lucile Richardot, Ensemble Correspondances, Sébastien Daucé
Motet pour les trépassés à 8, H. 311: Prélude - Miseremini meiMarc-Antoine Charpentier, Caroline Weynants, Violaine Le Chenadec, Lucile Richardot, Stephen Collardelle, Davy Cornillot, Constantin Goubet, Renaud Brès, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé
Motet pour les trépassés à 8, H. 311: Heu, mihi DomineMarc-Antoine Charpentier, Caroline Weynants, Violaine Le Chenadec, Stephen Collardelle, Davy Cornillot, Renaud Brès, Ensemble Correspondances, Sébastien Daucé
Motet pour les trépassés à 8, H. 311: Ritournelle - Ah, ah pœnis cruciorMarc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Dialogus inter Magdalenam et Jesum, H. 423: Hei, hei mihi infelix MagdalenaMarc-Antoine Charpentier, Lucile Richardot, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Stabat Holofernes super montes (Chorus Assyriorum)Marc-Antoine Charpentier, Caroline Arnaud, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé, Stephen Collardelle, Etienne Bazola
Judith, sive Bethulia liberata, H. 391, Première partie: Filii Israel (Tres duces Assyrii)Marc-Antoine Charpentier, Stephen Collardelle, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Et placuerunt (Historicus ex Assyriis, Historicus ex filiis Israel, Tres viri Israelitæ, Historicus ex Israel)Marc-Antoine Charpentier, Nicolas Brooymans, Lucile Richardot, Davy Cornillot, René Ramos-Premier, Judith Fa, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Peccavimus, Domine (Filii Israel)Marc-Antoine Charpentier, Judith Fa, Lucile Richardot, Davy Cornillot, René Ramos-Premier, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Et, cum his clamoribus (Historicus ex filiis Israel, Ozias)Marc-Antoine Charpentier, Judith Fa, Lucile Richardot, René Ramos-Premier, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Quod cum audisset (Historici ex filiis Israel)Marc-Antoine Charpentier, Lucile Richardot, René Ramos-Premier, Ensemble Correspondances, Sébastien Daucé, Davy Cornillot
Judith, sive Bethulia liberata, H. 391, Première partie: Quod est hoc verbum (Judith)Marc-Antoine Charpentier, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Vera sunt omnia (Ozias, Judith, Chorus ex Israel, trois voix seules)Marc-Antoine Charpentier, Davy Cornillot, Caroline Weynants, Lucile Richardot, René Ramos-Premier, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Nocte autem sequetem (Historicus ex Israel, Judith)Marc-Antoine Charpentier, Lucile Richardot, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: Post hæc Judith deposuit (Historicus ex Israel)Marc-Antoine Charpentier, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Première partie: La nuictMarc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Cum autem Judith descenderat montem (Ancilla, Duo exploratores ex Assyriis, Judith, Chorus Assyriorum)Marc-Antoine Charpentier, Violaine Le Chenadec, Stephen Collardelle, Etienne Bazola, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Æquo animo esto (Holofernes, Judith)Marc-Antoine Charpentier, Renaud Brès, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Et ingressa Judith (Historici ex Assyriis)Marc-Antoine Charpentier, Stephen Collardelle, Etienne Bazola, Nicolas Brooymans, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Ut autem sero factum est (Ancilla)Marc-Antoine Charpentier, Violaine Le Chenadec, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Aperite portas, custodes fideles (Judith)Marc-Antoine Charpentier, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Et cum audissent filii Israel (Chorus filiorum Israel)Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Judith, sive Bethulia liberata, H. 391, Seconde partie: Laudate Dominum Deum nostrum (Judith, Chœur)Marc-Antoine Charpentier, Caroline Weynants, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403: Rumor bellicusMarc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Première partie: Cum essent congregata (Chorus)Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Première partie: O mulier, suscita mihi (Saül, Maga)Marc-Antoine Charpentier, Etienne Bazola, Lucile Richardot, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Première partie: Première symphonie [de l'enchantement] - Æther umbrosus nigro velamine (Maga) Per hanc virgam in terram trahentem (Maga) - [Seconde] symphonie de l'enchantement - Ecquid ad surdos (Maga)Marc-Antoine Charpentier, Lucile Richardot, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Première partie: Cumque Samuel volente Deo (Duo ex choro)Marc-Antoine Charpentier, Violaine Le Chenadec, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Première partie: Surge Saül et responde mihi ! (Samuel, Saül)Marc-Antoine Charpentier, Nicolas Brooymans, Etienne Bazola, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Cecidit repente Saül (Chorus)Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Tolle, quæso, tolle (Saül, Miles)Marc-Antoine Charpentier, Etienne Bazola, David Tricou, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Age cito (Saül, chorus)Marc-Antoine Charpentier, Etienne Bazola, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Cumque miles invitus (Tres ex choro)Marc-Antoine Charpentier, Lucile Richardot, Caroline Dangin-Bardot, Constantin Goubet, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Quisnam es tu ? (David, Miles)Marc-Antoine Charpentier, Davy Cornillot, David Tricou, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: O sors ! (Chorus sans violons)Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Sed tu, unde scis quod Saül (David, Miles)Marc-Antoine Charpentier, Davy Cornillot, David Tricou, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Doleo super te (David)Marc-Antoine Charpentier, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: David autem conversus (Duo ex choro, David)Marc-Antoine Charpentier, Violaine Le Chenadec, Caroline Dangin-Bardot, Davy Cornillot, Ensemble Correspondances, Sébastien Daucé
Mors Saülis et Jonathæ, H. 403, Seconde partie: Montes Gelboe (Chorus ultimus)Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Prelude pour Mementote peccatores, H. 425aMarc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé
Dialogus inter Christum et peccatores, H. 425: Mementote peccatores (Christus)Marc-Antoine Charpentier, Etienne Bazola, Ensemble Correspondances, Sébastien Daucé
Marc-Antoine Charpentier, a prolific and versatile French composer of the Baroque era, left an indelible mark on the musical landscape of the 17th century. Born in Paris during the reign of Louis XIV, Charpentier's work is celebrated for its rich polyphony and emotional depth. One of his most enduring compositions is the stirring theme from the prelude of his Te Deum H.146, known as the "Marche en rondeau," which continues to captivate audiences today, notably as the iconic fanfare for the Eurovision Network and the European Broadcasting Union. Charpentier's journey took him to Rome, where he absorbed Italian musical influences, making him unique among his French contemporaries. His oratorios and choral works, such as the "Third Lesson of Darkness of Holy Wednesday," showcase his mastery of vocal composition and his ability to evoke profound spiritual experiences. Charpentier's legacy endures as one of the most important figures in French Baroque music, inspiring generations of composers and musicians.