"Cello Jazz," released on May 8, 2020, by Matt Haimovitz, is a groundbreaking exploration of the cello's versatility, seamlessly blending classical and jazz genres. This 27-track album, spanning over two and a half hours, showcases Haimovitz's extraordinary range and technical prowess, accompanied by notable collaborators like Christopher O'Riley and John McLaughlin.
The album features a diverse collection of compositions, from Miles Davis' iconic "Sketches of Spain" to Philip Glass's minimalist masterpieces, and even a haunting rendition of Leonard Cohen's "Liza (From 'Show Girl')." Haimovitz's interpretations of these works are nothing short of breathtaking, demonstrating his ability to transcend musical boundaries and evoke a wide spectrum of emotions.
"Cello Jazz" is not just a display of technical skill, but also a testament to Haimovitz's deep musicality and artistic vision. The album's dynamic range, from the joyous "Open Country Joy" to the somber "Seventh Avenue Kaddish," offers a captivating journey through the cello's expressive capabilities. Whether you're a classical aficionado or a jazz enthusiast, this album is sure to leave a lasting impression, highlighting the cello's remarkable adaptability and Matt Haimovitz's extraordinary talent.
Matt Haimovitz is a trailblazing cellist whose artistry transcends traditional classical boundaries. Born in Israel and raised in the United States from the age of five, Haimovitz is renowned for his ferocious talent and innovative approach to music. He is a multi-GRAMMY-nominated artist who plays a stunning Matteo Goffriller cello from 1710, captivating audiences with his intense and elegant touch. Haimovitz's repertoire spans chamber music and classical genres, and he is celebrated for pushing the boundaries of classical music, making him a favorite among both classical enthusiasts and new listeners alike. His performances and recordings, such as the critically acclaimed "Beethoven, Period," showcase his tremendous artistry and musical vision. Haimovitz's dynamic presence on stage and his ability to connect with audiences have earned him widespread acclaim, including praise from The New York Times. Whether performing solo or with ensembles like the MDR Leipzig, Haimovitz's performances are always a memorable experience.
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