Dive into the rich world of Baroque opera with André Campra's "Tancrède," a captivating album that showcases the composer's mastery and innovation. This 2010 release, featuring performances by Clément Zaffini, Ensemble Instrumental de Provence, and Ensemble Vocal d'Avignon, offers a unique blend of vocal and instrumental prowess that transports you to the opulent stages of 18th-century Paris.
"Tancrède" is a tragédie lyrique in five acts and a prologue, composed by André Campra with a libretto by Antoine Danchet, based on Tasso's epic poem. The opera is a pivotal work in the French Baroque repertoire, bridging the styles of Jean-Baptiste Lully and Jean-Philippe Rameau. Campra's genius shines through in the diverse array of arias, duets, and ensemble pieces, each meticulously crafted to convey the drama and passion of the story.
The album spans 49 minutes, packed with highlights such as the enchanting "Air des magiciens," the stirring "Généreux défenseurs (Argant & choeur)," and the haunting "Elle n'est plus (Tancrède)." The instrumental selections, including the elegant "Menuet chanté" and the lively "Danse de la suite de la paix," provide a delightful contrast to the vocal pieces, showcasing the versatility and skill of the performers.
André Campra, born in Aix-en-Provence, was a leading figure in French opera, known for his innovative approach and lyrical genius. "Tancrède," premiered in 1702, was a resounding success and solidified Campra's reputation as a master of the operatic form. This album, released by Pierre Verany, offers a rare opportunity to experience the beauty and complexity of Campra's music, performed with authenticity and passion.
Whether you're a seasoned opera enthusiast or a curious newcomer, "Tancrède" promises an enriching and enjoyable listening experience. The album's historical significance, combined with its musical brilliance, makes it a standout addition to any classical music collection.
André Campra, born in 1660 in Aix-en-Provence, was a pivotal figure in French Baroque music, bridging the gap between the legendary Jean-Baptiste Lully and the innovative Jean-Philippe Rameau. As a composer and conductor, Campra's influence was immense, particularly in the realm of opera. He is credited with creating the "opéra-ballet" genre, a unique blend of French and Italian musical styles that captivated audiences. His stage productions were renowned for their spirited performances, and his tragic operas and ballet-operas were extremely well-received. Beyond his operatic achievements, Campra also made significant contributions to sacred music, including a requiem and numerous grand motets. His career spanned various prestigious positions, including music master at Notre-Dame de Paris and composer to the Chapelle Royale, leaving an indelible mark on French music. Campra's legacy endures, celebrated for his role in the renewal of French opera and his prolific output of both secular and sacred works.
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