Burnin' in the Woodhouse

Album Description

"Burnin' in the Woodhouse" is a captivating jazz album by the legendary Milt Jackson, released in March 1995. This album is a testament to Jackson's enduring prowess as a vibraphonist, showcasing his mastery of hard bop, bebop, cool jazz, and jazz blues. The album features eight tracks, including the upbeat "Bop Ag'in" and the soulful "They Can't Take That Away from Me," each offering a unique blend of rhythm and melody that highlights Jackson's distinctive style.

Recorded just a few years before his passing in 1999, "Burnin' in the Woodhouse" stands as one of Milt Jackson's final recordings as a leader, demonstrating his unwavering talent and creativity. The album features a stellar lineup of musicians, including Benny Green on piano, Christian McBride on bass, and Kenny Washington on drums, who together create a rich and dynamic sound.

The album's title track, "In the Woodhouse," is a standout piece that exemplifies Jackson's ability to blend traditional jazz elements with contemporary influences. Other notable tracks include "The Masquerade Is Over" and "Soulmates," each offering a different facet of Jackson's musical genius.

Released by Qwest Records in the U.S. and WEA International Inc. worldwide, "Burnin' in the Woodhouse" is a must-listen for any jazz enthusiast. With a duration of 55 minutes, this album is a perfect addition to any jazz collection, offering a timeless exploration of the genre's rich heritage and innovative spirit.

March 24, 1995

1995 Qwest Records for the U.S. and WEA International Inc. for the world outside the U.S.

About Milt Jackson

Milt Jackson, affectionately nicknamed "Bags," was a pioneering force in jazz, renowned for his virtuosic skills on the vibraphone and his ability to blend various styles seamlessly. Born in Detroit, Michigan, Jackson's career spanned over five decades, during which he collaborated with some of the most influential figures in jazz, including Dizzy Gillespie, Thelonious Monk, Miles Davis, and John Coltrane. His work with the Modern Jazz Quartet, which he co-founded, is particularly celebrated for its cool, swinging solos and innovative compositions. Jackson's versatility allowed him to excel in hard bop, bebop, cool jazz, and jazz blues, making him a true master of the genre. His legacy as a NEA Jazz Master and a pioneer of bebop continues to inspire musicians and fans alike, cementing his place as one of the most celebrated vibraphonists in jazz history.