"Briskeby Blues" is a pioneering fusion of poetry and jazz, born from the collaboration between Norwegian poet Jan Erik Vold and the young, innovative tenor saxophonist Jan Garbarek. Recorded in October 1969, just months after its release date, this album features Jan Erik Vold's evocative spoken word performances, accompanied by the subtle and sophisticated musical backdrop provided by Jan Garbarek's Quartet. The quartet, featuring Terje Rypdal on guitar, Arild Andersen on bass, and Jon Christensen on drums, creates a cool jazz atmosphere that perfectly complements Jan Erik Vold's introspective and often humorous poetry. The album, originally released on Philips and later reissued by Universal Music AS, includes a collection of poems from Jan Erik Vold's 1968 publication "Mor Godhjertas glade versjon. Ja." With a running time of 45 minutes, "Briskeby Blues" offers a unique blend of adult standards, vocal jazz, and spoken word, making it a captivating listen for fans of both jazz and poetry. The album's tracklist features a mix of blues-infused tracks like "Bo på Briskeby Blues" and "Amper juli blues," as well as more introspective pieces like "Desember lys" and "Ikke si det. Jeg vet." This album is a testament to the power of collaboration and the beauty that can emerge when words and music intertwine.
Jan Erik Vold is a versatile Norwegian artist renowned for his contributions to poetry and jazz. As a core member of the "Profil generation," Vold has been instrumental in renewing Norwegian poetry and sparking public interest in lyrical verse. His work spans across genres, including adult standards, vocal jazz, and spoken word, making him a unique voice in the literary and musical worlds. Vold's collaborations, such as his work with Jan Garbarek on the album "Hav," showcase his ability to blend poetic expression with jazz, creating a rich and immersive experience. Beyond his artistic endeavors, Vold is known for his political views and his ability to connect with audiences on a deeper level. Currently residing in Stockholm, his influence continues to resonate, making him a significant figure in contemporary Norwegian culture.
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