Experience the profound artistry of Thomas Quasthoff in this exquisite collection of Lieder by Johannes Brahms and Franz Liszt. Released in 2000 under the prestigious Deutsche Grammophon label, this album is a testament to Quasthoff's mastery of the vocal arts, accompanied by the skilled pianism of Justus Zeyen.
Spanning a duration of 1 hour and 20 minutes, this album features a rich tapestry of songs that delve into themes of love, sorrow, life, and death. The tracklist is a blend of Brahms' and Liszt's most evocative compositions, including works from Brahms' Lieder und Gesänge Op. 32, Fünf Gesänge Op. 72, and Fünf Lieder Op. 94, as well as Liszt's Tre Sonetti di Petrarca and other notable pieces. Each song is a masterclass in vocal technique and expressive depth, showcasing Quasthoff's ability to convey the nuances of these timeless compositions.
This album is not just a collection of songs but a journey through the human experience, as interpreted by two of the most influential composers in classical music history. Thomas Quasthoff's powerful and nuanced vocals, paired with Justus Zeyen's sensitive piano accompaniment, bring these works to life in a way that is both intimate and profound. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience that highlights the enduring beauty of Lieder.
Lieder und Gesänge Op. 32: 1. Wie raff' ich mich auf in der NachtJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Lieder und Gesänge Op. 32: 2. Nicht mehr zu dir zu gehenJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Lieder und Gesänge Op. 32: 3. Ich schleich' umherJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Lieder und Gesänge Op. 32: 4. Der Strom, der neben mir verrauschteJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Lieder und Gesänge Op. 32: 5. Wehe, so willst du mich wiederJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Lieder und Gesänge op.32: 6. Du sprichst, daß ich mich täuschteJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Lieder und Gesänge Op. 32: 7. Bitteres zu sagen denkst duJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Lieder und Gesänge Op. 32: 8. So stehn wir, ich und meine WeideJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Lieder und Gesänge Op. 32: 9. Wie bist du, meine KöniginJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Fünf Gesänge Op. 72: 1. Alte LiebeJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Fünf Gesänge Op. 72: 2. SommerfädenJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Fünf Gesänge Op. 72: 3. O kühler WaldJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Fünf Gesänge Op. 72: 4. VerzagenJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Fünf Gesänge Op. 72: 5. UnüberwindlichJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Fünf Lieder Op. 94: 1. Mit vierzig Jahren (Rückert)Johannes Brahms, Thomas Quasthoff, Justus Zeyen
Fünf Lieder Op. 94: 2. Steig auf, geliebter SchattenJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Fünf Lieder Op. 94: 3. Mein Herz ist schwerJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Fünf Lieder Op. 94: 4. Sapphische OdeJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Fünf Lieder Op. 94: 5. Kein Haus, keine HeimatJohannes Brahms, Thomas Quasthoff, Justus Zeyen
Tre Sonetti di Petrarca, S. 270 - 1st Version For Tenor, Transposed Into The Keys Of The 2nd Version For Baritone By Justus Zeyen: 1. Pace non trovoFranz Liszt, Thomas Quasthoff, Justus Zeyen
Tre Sonetti di Petrarca, S. 270 - 1st Version For Tenor, Transposed Into The Keys Of The 2nd Version For Baritone By Justus Zeyen: 2. Benedetto sia 'l giornoFranz Liszt, Thomas Quasthoff, Justus Zeyen
Tre Sonetti di Petrarca, S. 270 - 1st Version For Tenor, Transposed Into The Keys Of The 2nd Version For Baritone By Justus Zeyen: 3. I' vidi in terra angelici costumiFranz Liszt, Thomas Quasthoff, Justus Zeyen
Die Loreley, S.273 - 1. FassungFranz Liszt, Thomas Quasthoff, Justus Zeyen
O lieb, so lang du lieben kannst, S.298Franz Liszt, Thomas Quasthoff, Justus Zeyen
"Es muss ein Wunderbares sein" S.314Franz Liszt, Thomas Quasthoff, Justus Zeyen
Thomas Quasthoff, the German bass-baritone, is renowned for his extraordinary vocal prowess and versatility, having captivated audiences worldwide with his profound artistry. Born with severe birth defects due to thalidomide, Quasthoff stands at 1.34 meters tall and has phocomelia, yet his physical challenges have not hindered his remarkable musical journey. Praised as 'the man with the most beautiful voice in the world' by Der Stern, Quasthoff's repertoire spans from Bach cantatas and lieder to solo jazz improvisations, showcasing his immense range and depth. He has set the benchmark on international stages, earning accolades such as the Royal Philharmonic Society Gold Medal. Beyond his classical achievements, Quasthoff has also made a significant impact in the jazz genre, collaborating with German jazz stars and treating audiences to his unique blend of musical styles. His personal tragedies have only fueled his artistic evolution, leading him to find new freedoms in his performances. Whether on the opera stage or in a jazz setting, Thomas Quasthoff's performances are a testament to his unparalleled talent and resilience.
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Thomas Quasthoff
