Boyce: Ode For St Cecilia's Day

Album Description

Dive into the world of Baroque splendor with William Boyce's "Ode for St Cecilia's Day," a masterful composition that has long been overshadowed but is now rightfully celebrated. Released in 2000 by Decca, this album is a testament to Boyce's genius, featuring a rich tapestry of orchestral and vocal pieces that honor St. Cecilia, the patron saint of music.

The album spans over an hour and seventeen minutes, encompassing a grand total of 27 tracks that beautifully blend choruses, arias, duets, and recitatives. Boyce's "Ode for St Cecilia's Day" is a monumental work, divided into two parts, each beginning with a stirring overture that sets the stage for the musical journey ahead. The New College Choir, Oxford, under the direction of Graham Lea-Cox, and the Hanover Band bring this masterpiece to life with their impeccable performances, showcasing the depth and breadth of Boyce's compositional skills.

The album is a delight for classical enthusiasts, offering a rich exploration of the Baroque era's musical prowess. From the lively "Vivace" to the soothing "Adagio," and the spirited "Allegro," each movement is a testament to Boyce's ability to evoke a range of emotions through his music. The album's standout tracks, such as the "Chorus: See Fam'd Apollo and the Nine" and the "Aria: What Cruel Pangs the Lover Feels," highlight the intricate interplay between the choir and the orchestra, creating a harmonious blend that is both captivating and inspiring.

"Ode for St Cecilia's Day" is not just a collection of songs but a comprehensive exploration of Boyce's musical vision. It's a work that deserves to be experienced in its entirety, allowing the listener to appreciate the full scope of Boyce's genius. Whether you're a seasoned classical aficionado or a newcomer to the genre, this album offers a rich and rewarding listening experience that showcases the best of Baroque music.

1 januari 2000

℗ 2000 ASV Ltd.

About William Boyce

William Boyce, born in London in 1711, was one of England's most distinguished composers of the Baroque era, often hailed as the nation's greatest native-born composer of his time. His musical journey began as a chorister at St. Paul’s Cathedral, where he honed his skills under the tutelage of Maurice Greene. Boyce's career flourished, leading him to become the Master of the King's Musick in 1755 and an organist at the Chapel Royal in 1758. Despite facing deafness later in life, he continued to compose, leaving behind a rich legacy of odes, anthems, symphonies, and stage music that resonate with the grandeur of the royal court and the vibrant energy of 18th-century London.

Boyce's compositions, including his celebrated "8 Symphonies in 8 Parts" and various overtures, showcase his mastery of the Baroque style and his ability to captivate audiences with his melodic prowess and harmonic innovation. His works, performed in grand settings and intimate gatherings alike, reflect his deep understanding of musical structure and his knack for creating pieces that are both technically impressive and emotionally resonant. Boyce's influence extended beyond his compositions; he was also a respected musical editor and a mentor to younger musicians, including the young Wolfgang Amadeus Mozart. His contributions to English music are immense, and his legacy continues to inspire musicians and enthusiasts alike.